THE HUMANS (A24/Showtime – Nov. 24): There are typically two strategies for adapting a celebrated play about a small number of people in a limited space to the screen. One is to “open it up,” adding scenes, characters, or at least locations outside the original set. The other is to lean into the claustrophobia, […]
BREATHE (Bleecker Street – Oct 13): BREATHE wasn’t the favored Triumph of the Human Spirit drama at Toronto this year; that title went to Stronger, with Jake Gyllanhaal as a survivor of the Boston Marathon bombing. Not having seen Stronger, I can’t compare the two, but Breathe has plenty in it to please audiences […]
WILDLIFE (no distrib): If you’ve ever felt sorry for youngsters who are cordoned off from their parents’ difficult relationships, and then blindsided by the consequences, Paul Dano’s directing debut advises that pity should really be reserved for those children who know all too much about what’s going on. Dano’s austere and disturbing drama isn’t […]
> In September, SHOWBUZZDAILY will be attending the Toronto International Film Festival (TIFF, for short). This is the first in an intermittent series of pieces about the experience of TIFF-ing. Every film festival has its own personality and place in the movie calendar. TIFF has become hugely popular and important, especially in the last decade, […]
BLINDED BY THE LIGHT (New Line/Warners): Sundance was somewhat awash in feel-good movies this year, which is unusual but not unprecedented. One of the most successful in previous years was 2002’s Bend It Like Beckham, directed by Gurinder Chadha. Chadha returned to the festival this year after some time in the movie wilderness (Bride […]
As a movie year, 2013 was awfully slow in getting started. Hardly anything worth remembering opened all winter and spring–only 1 movie in the Top 10 below opened in theatres before late May. Summer brought some relief, and then the film festival season that began at the end of August opened the doors wide […]
BELFAST (Focus/Universal – Nov. 12): Kenneth Branagh’s semiautobiographical film walks a path laid by many great works by master filmmakers, including Fellini’s Amarcord, John Boorman’s Hope and Glory, and Alfonso Cuaron’s Roma. Compared to those, Belfast is a relatively minor work, yet quite enjoyable on its own terms. The setting is 1969, as “the […]
The 2025 Sundance Film Festival is still going on, and will continue through February 2. However, at this point all the major titles have premiered, and the at-home part of the festival has kicked in, so it seems fair to say that it was a fairly dispiriting edition, especially for those who judge Sundance […]