BLINDED BY THE LIGHT (New Line/Warners):  Sundance was somewhat awash in feel-good movies this year, which is unusual but not unprecedented.  One of the most successful in previous years was 2002’s Bend It Like Beckham, directed by Gurinder Chadha.  Chadha returned to the festival this year after some time in the movie wilderness (Bride […]

  THELMA (no distrib):  In recent years, we’ve seen the rise of what might uncharitably be called Old Lady Cinema, noisy comedies like the Book Club franchise and 80 For Brady that milk gags out of the spectacle of actresses of a certain age talking about (and even engaging in) sex and some light drug […]

  NANNY (no distrib):  Think Netflix’s Maid, but as a (sort of) horror movie.  Aisha (Anna Diop) is an undocumented Senegalese immigrant in New York who works as a nanny for the daughter of a well-off couple, Amy (Michelle Monaghan) and Adam (Morgan Spector), in order to earn money she can send to her young […]

  FIRST DATE:  Your regard for First Date is likely to directly relate to your nostalgia for the low-rent action comedies and Tarantino imitations of the 1990s and 2000s.  Those comedies were marked by idiot plots that piled on coincidences to justify rampant bloodshed, while no pseudo-Tarantino script would be complete without garrulous gangsters monologuing […]

  LATE NIGHT (Amazon):  It’s legitimate to note that the thoroughly mainstream and commercial Late Night belonged at Sundance just about as much as The Devil Wears Prada would have, since to a large extent it transposes Prada from fashion to the world of late-night talk shows.  The festival’s decision to host Late Night (which paid […]

  When push came to shove, a choice had to be made between The Birth of A Nation and “the farting corpse movie” (AKA Swiss Army Man), and your faithful narrator has to confess that he went with the former, so apologies for that.  There are other films, as well, that I would have liked […]

  TOY’S HOUSE is a delightful Sundance surprise, a fresh take on adolescent boys coming of age.  The conceit of Jordan Vogt-Roberts’ film, written by Chris Galletta, is that Joe Toy (Nick Robinson), his best friend Patrick (Gabriel Basso), and a very strange tagalong named Biaggio (Moises Arias) don’t just run away, they literally find an […]

  THE OUTRUN (no distrib):  Films about alcoholics and addicts in recovery are too numerous to count, and it’s easy to understand why.  The stories offer a clear narrative path, usually with an inspirational destination (occasionally with a tragic end, which can be just as cathartic), as well as a ready-made showcase for the star, […]