MAYDAY: The fantasy whatzit is a Sundance staple, and Mayday fits into that category. (Paradise Hills was a recent example from a past festival.) Ana (Grace Van Patten), short for Anastasia, is an ignored and abused waitress who finds herself swimming through a portal to what turns out to be an otherwise deserted island […]
>Benh Zeitlin’s BEASTS OF THE SOUTHERN WILD is the kind of movie that makes people wince when they hear “independent film”. A tale, with magical realist overtones, set in the mostly African-American poverty of the Louisiana bayous, it’s narrated by its precocious child protagonist, known as Hushpuppy (Quvenzhane Wallis). Hushpuppy lives with her father Wink […]
Virtually every screening at Sundance is followed by a Q&A with the filmmaker, and while these sessions can be informative and charming (although 3 questions that need never be asked again are How long did you shoot? What was the budget? and How much was improvised?), they can also be quite sad. Watching them, […]
> I write this as a fairly obsessive fan of Stanley Kubrick, back since I desperately wanted to see A Clockwork Orange in its original X-rated release but was too young to get in. So the very idea of ROOM 237, a feature-length film by Rodney Ascher constructed of the theories and interpretations that have […]
The actress Lake Bell’s feature-film writing/directing debut IN A WORLD… has a fresh slant on showbiz comedy, and it’s both consistently likable and sometimes very funny. It’s also sloppy, overbroad, predictable and so technically flat that it hurts the eyes to watch–but that’s what first films are for. The general idea of In A World…, in which various […]
The old truism that Park City empties out during the second half of the Sundance Film Festival, making it possible to see all the hot titles that premiered at the festival’s start, is far less true than it used to be. It was impossible to get into the festival’s big buy, The Way, Way […]
> The festival has its first crowd-pleaser in CELESTE AND JESSE FOREVER, a light but heartfelt romantic comedy-drama in the Woody Allen vein. Written by Rashida Jones (who also stars as Celeste) and Will Mc McCormack (on hand as well as a supportive weed dealer), it takes a different slant on the usual rom-com by […]
PROMISING YOUNG WOMAN (Focus/Universal – April 17): Emerald Fennell’s feature-film writing/directing debut has antecedents as old as the 1973 TV-movie The Girl Most Likely To… (co-written by Joan Rivers) and as recent as Killing Eve (for which Fennell served as Season 2 showrunner), with the added frisson of a #MeToo-driven storyline. Cassie (Carey Mulligan) […]