Of all the titles in this year’s Sundance US Dramatic Competition line-up, none may have been more promising on paper than GOD’S POCKET. Based on a novel by Pete Dexter, it marked the feature directing debut of the actor John Slattery, whose work behind the camera on Mad Men has produced some of the […]
DIDI (no distrib): Sean Wang’s endearing memory piece won the US Dramatic Competition Audience Award. It’s set in 2008 Northern California during the summer before Chris (Izaac Wang) begins high school and his sister Vivian (Shirley Chen) leaves for college in San Diego. The kids have essentially been raised by Chungsing (Joan Chen) as […]
THELMA (no distrib): In recent years, we’ve seen the rise of what might uncharitably be called Old Lady Cinema, noisy comedies like the Book Club franchise and 80 For Brady that milk gags out of the spectacle of actresses of a certain age talking about (and even engaging in) sex and some light drug […]
OFFICIAL SECRETS (IFC): Film festivals have a way of creating unintended double features when thematically similar films are seen in close proximity, and it’s hard to watch Gavin Hood’s Official Secrets without thinking about Scott Z Burns’s The Report. Both are stories of whistleblowers and cover-ups involving the lead-up to the war in Iraq, […]
EMILY THE CRIMINAL (no distrib): John Patton Ford’s feature debut is a lean, gritty, accomplished thriller with a smashing star performance from Aubrey Plaza. Plaza (who also produced) plays the titular Emily, an aspiring artist whose career got derailed due to a violent incident in college, giving her a record that’s preventing her from […]
V/H/S, which screened as part of Sundance’s Park City At Midnight series, is a gimmick piled upon a gimmick. First is the horror anthology itself, familiar from the Twilight Zone movie and Rod Serling’s Night Gallery TV show, among many others. In this case, half a dozen unrelated short films, each from a different […]
PROMISING YOUNG WOMAN (Focus/Universal – April 17): Emerald Fennell’s feature-film writing/directing debut has antecedents as old as the 1973 TV-movie The Girl Most Likely To… (co-written by Joan Rivers) and as recent as Killing Eve (for which Fennell served as Season 2 showrunner), with the added frisson of a #MeToo-driven storyline. Cassie (Carey Mulligan) […]
LIVING (no distrib): Over the years, there’s periodically been talk about remaking Akira Kurosawa’s 1952 masterpiece Ikiru, including a rumored updated US version that would have starred Tom Hanks in the lead. We finally have an English-language Ikiru in the more modest form of Oliver Hermanus’s Living, from a screenplay by the famed novelist […]