PLAINCLOTHES (no distrib):  A coming-out story laced with paranoia.  It’s 1997 in upstate New York, and the cops are running undercover operations in public restrooms to lead gay men into indecent exposure charges.  For Lucas (Tom Blyth), this is a particularly difficult assignment, because his own desires are deeply in the closet, not just […]

  Star power makes all the difference  in THE SKELETON TWINS.  Craig Johnson’s dramedy (written with Mark Heyman) takes place in fairly commonplace territory, especially at Sundance:  siblings bound together, whether they like it or not, by embittered love and old family scars.  What isn’t expected, though, is for those roles to be filled by SNL alumni Kristen […]

  The writing team of David Wain and Michael Showalter (Wain directs) certainly knew that THEY CAME TOGETHER would be far from the first parody of romantic comedy movies to come along.  Date Movie opened back in 2008, Friends With Benefits, although it had other fish to fry, featured a dead-on film-within-the-film satire that starred […]

> Like any showbiz stripper, the Sundance Film Festival has left its most notable revelations for last:  after releasing its Competition Entries and its Midnight and Other Fringe Titles, today the Festival announced its highest-profile Premiere films, both scripted and documentary.  They seem a bit lower-key than usual this year, with stars and filmmakers notable […]

  DIDI (no distrib):  Sean Wang’s endearing memory piece won the US Dramatic Competition Audience Award.  It’s set in 2008 Northern California during the summer before Chris (Izaac Wang) begins high school and his sister Vivian (Shirley Chen) leaves for college in San Diego.  The kids have essentially been raised by Chungsing (Joan Chen) as […]

  FLORA AND SON (Apple):  John Carney’s Irish dramedy was (with Fair Play) the commercial bonanza of Sundance, reportedly with a $20M pricetag.  It isn’t hard to see why the studio and streamer checkbooks came out, since Flora and Son was one of the festival’s unabashed crowd pleasers.  Like most of Carney’s work (Once, Sing […]

  It’s the second consecutive Virtual Sundance, with safety, convenience and isolation in place of weather, shuttle buses and community.  Over the next several days, we’ll be bringing you reviews of several Sundance premieres, some of which will find their way into theaters, with more likely to make their public appearances via VOD and streaming […]

  BLINDED BY THE LIGHT (New Line/Warners):  Sundance was somewhat awash in feel-good movies this year, which is unusual but not unprecedented.  One of the most successful in previous years was 2002’s Bend It Like Beckham, directed by Gurinder Chadha.  Chadha returned to the festival this year after some time in the movie wilderness (Bride […]