DAMSEL (no distrib): A hipster representation of comedy rather than anything comic itself. Written and directed by David and Nathan Zellner, whose previous work includes the similarly film festival-targeted Kumiko, The Treasure Hunter (they also appear in the film, David in a leading role), Damsel initially presents itself as the tall tale of Samuel […]
THE AMERICAN SOCIETY OF MAGICAL NEGROES (Focus/Universal – March 15): The title of Kobi Libii’s first feature refers to the unfortunately well-established movie trope where a noble Black character exists only as a catalyst to make the white protagonist a better person. (Think of everything from Driving Miss Daisy to The Green Mile, The Legend of Bagger Vance to Green […]
The screenplay for THE SPECTACULAR NOW, a Dramatic Competition entry at Sundance, was written by the team of Scott Neustadter and Michael H. Weber, who also wrote (500) Days of Summer, but the new film has none of the breezy and somewhat gimmicky visual style of that hit. Director James Ponsoldt, instead, goes to the […]
A couple of Sundances ago, the actress/writer/producer Brit Marling was a festival darling, with two acclaimed pictures unveiled the same week. In the end, while both Another Earth and Sound of My Voice received distribution, neither found much of a mainstream audience. (Marling’s also established an acting career that included a very good turn in last year’s Arbitrage.) […]
Toy’s House wasn’t the only movie at this year’s Sundance about boys fending for themselves. THE INEVITABLE DEFEAT OF MISTER AND PETE depicts a less voluntary version of the effort to keep going without adults, set in a much more hostile environment. George Tillman Jr’s film, written by Michael Starrbury, is set in a […]
SAVE YOURSELVES! (no distrib): A moderately amusing sketch that doesn’t quite have the heft for feature length. Writer/directors Alex Huston Fischer and Eleanor Wilson satirize Brooklyn hipsters and sci-fi in their story of a couple, Jack (John Reynolds) and Su (Sunita Mani), who’ve decided to ditch their devices and spend a week in a […]
NANNY (no distrib): Think Netflix’s Maid, but as a (sort of) horror movie. Aisha (Anna Diop) is an undocumented Senegalese immigrant in New York who works as a nanny for the daughter of a well-off couple, Amy (Michelle Monaghan) and Adam (Morgan Spector), in order to earn money she can send to her young […]
It takes about an hour, but Nicholas McCarthy’s THE PACT, which premiered in the Park City At Midnight section at Sundance, eventually turns out to have a neat twist up its sleeve, one that switches the movie from haunted house horror to an entirely different subgenre of thriller. And after that, a solid reel […]