THE WAY, WAY BACK:  Watch It At Home – Modestly Engaging Coming-Of-Age Tale THE WAY, WAY BACK is one of the last real indie hopes for a original breakout hit this summer (it was a big buy out of Sundance, a $10M purchase by Fox Searchlight, the studio behind the Sundance smash Little Miss […]

  CALL ME BY YOUR NAME (Sony Classics):  Luca Guadagnino’s sumptuous gay romance has been anointed as the Sundance entry most likely to figure into next year’s Oscar race, and it’s easy to see why.  It combines the appeal of traditional prestige drama (James Ivory, who practically invented the modern version of that genre, is […]

  It takes quite a while–almost its entire length, in fact–for the utter conventionality of AFTERNOON DELIGHT to become clear.  Jill Soloway’s feature directing debut, for which she unaccountably won a Sundance award, toys with being a much more interesting, transgressive film, before settling down to be as middle-of-the-road and inoffensive as is humanly possible.  […]

>Two Australian couples vacation together on the beaches of Cambodia, but only 3 people return. That’s the set-up for Kieran Darcy-Smith’s skilled debut WISH YOU WERE HERE, which premiered as part of Sundance’s World Cinema competition.The focal point of the story is the more settled, middle-class couple on the trip: Dave (Joel Edgerton) and Alice […]

  YOU HURT MY FEELINGS (A24):  The title of Nicole Holofcener’s newest film is a fair guide to its stakes.  Her projects (Walking & Talking, Lovely & Amazing, Friends With Money, Enough Said) have always been modest in scale, but this one in particular feels more like a collection of anecdotes than even a short […]

  A couple of Sundances ago, the actress/writer/producer Brit Marling was a festival darling, with two acclaimed pictures unveiled the same week.  In the end, while both Another Earth and Sound of My Voice received distribution, neither found much of a mainstream audience.  (Marling’s also established an acting career that included a very good turn in last year’s Arbitrage.) […]

  The trouble with trying to recommend THE ONE I LOVE , written by Justin Lader and directed by Charlie McDowell, is that it’s impossible to describe how clever, surprising and intriguing it turns out to be without giving up its secrets.  It begins straightforwardly–so much so, in fact, that you might need to restrain an “Ah, […]

  TO THE STARS (no distrib):  Tales of small-town outcasts are a regular feature at Sundance, and Martha Stephens’ drama is an accomplished example of the genre.  Shannon Bradley-Colleary’s script is set in 1960s Oklahoma (the film is splendidly shot by Andrew Reed in a black and white that recalls The Last Picture Show), centering on […]