In 2007, Julie Delpy wrote, directed and co-starred in 2 Days In Paris, a romantic comedy-drama featuring Adam Goldberg and herself as a couple who lived in NY and visited the title city for a tumultuous visit with her character Marie’s family.  Paris was only a moderate art-house success in the US ($4.4M), but […]

  Sundance is sometimes thrilling, but it can also be an ordeal.  Especially when the films are good, but not great.  And even more so if you arrive with limited tickets, and are left to the tender mercies of the Wait List lines (which, given Sundance’s idiosyncratic approach to Wait Lists, requires standing on each […]

  NOVITIATE (Sony Classics):  It’s not clear how much of an audience there can be for a dark drama set amid the physical and psychological hardships of a pre-Vatican II midwestern abbey, but Margaret Betts’s Novitiate provides an utterly convincing insight into that world.  (Betts won a “breakthrough” directing award at the festival.)  The story […]

  MIDDLE OF NOWHERE, which won the Sundance US Dramatic Directing award for Ava DuVernay last night, is in no rush.  The films moves with deliberation as it establishes its leading character and her difficult situation:  Ruby (Emayatzy E. Corinealdi) isn’t a single mom, but she might as well be, with husband Derek (Omari Hardwick) […]

  When Joseph Gordon-Levitt decided to make his feature writing and directing debut with DON JON’S ADDICTION (starring in it as well), his attitude was clearly Go Big Or Go Home.  To a large extent, he’s pulled off his audacious comedy, although in keeping with its theme, this may be the kind of movie people […]

  LOVE ME (no distrib):  A truly existential romance.  Many years after the end of the human race, seemingly due to a combination of nuclear war and a new ice age, the two remaining artifacts with any ability to communicate are a smart ocean buoy and a satellite assigned to make contact with any life […]

  THE REPORT (Amazon):  Scott Z. Burns’s political expose is important and engrossing, but it’s composed of so much exposition that it may have trouble finding a mainstream audience.  (Which made Amazon’s decision to pay $14M to acquire it somewhat surprising.)  The film is concerned with two overlapping cover-ups over a period of years, set […]

  MONSTER (no distrib):  There’s less than meets the eye in Anthony Mandler’s Monster.  Based by Colen C. Wiley, Radha Black and Janece Shaffer on Walter Dean Myers’ novel, it seems like it’s going to be a saga of social injustice, dealing as it does with a young black New York honor student (Steve Harmon, […]