When push came to shove, a choice had to be made between The Birth of A Nation and “the farting corpse movie” (AKA Swiss Army Man), and your faithful narrator has to confess that he went with the former, so apologies for that.  There are other films, as well, that I would have liked […]

  HUMAN FACTORS:  Is Ronny Trocker’s Human Factors intended as a political allegory?  The married couple at its center are the German Jan (Mark Waschke) and the French Nina (Sabine Timoteo), and there’s a plot point about whether the ad agency they run will take on a political party as a client.  If that’s the […]

  THE REPORT (Amazon):  Scott Z. Burns’s political expose is important and engrossing, but it’s composed of so much exposition that it may have trouble finding a mainstream audience.  (Which made Amazon’s decision to pay $14M to acquire it somewhat surprising.)  The film is concerned with two overlapping cover-ups over a period of years, set […]

  WINNER (no distrib):  Yes, this sounds familiar.  Last year, HBO aired Tina Satter’s Reality, which told the story of the young jailed NSA leaker Reality Winner, and now filmmaker Susanna Fogel has taken the other half of that memorable name for her version of the tale.  (The Reality title was more evocative.)  Their approaches […]

> Although Sundance still has several days to go, and surprises could spring up at any time (yesterday The Surrogate, a drama with John Hawkes as a man in an iron lung who decides to lose his virginity to a sex therapist played by Helen Hunt, came out of nowhere to win a huge $6M […]

  EILEEN:  A dark tale of liberation, based on the novel by Ottessa Moshlegh (and adapted by Moshlegh with Luke Goebel).  Eileen (Thomasin McKenzie) is an anonymous employee at a boys’ prison in a confining, wintry Massachusetts town during the early 1960s.  Her job is depressing, and her home life is worse, stuck alone in […]

> Sundance has a thriving Park City At Midnight program that features plenty of high-octane horror movies, but the most unnerving and disturbing film of this year’s festival may have been Craig Zobel’s COMPLIANCE, a low-key drama based (apparently rather closely) on a true story without any hacked-off limbs or hint of the supernatural. In […]

  There can’t be very much quibbling about the selection of Ryan Coogler’s very impressive debut film FRUITVALE as tonight’s winner of both the Sundance Dramatic Competition Jury Prize and the Audience Award.   (Personally I might have gone with Emanuel and the Truth About Fishes–which didn’t win anything tonight–but Fruitvale would have been close behind.)  Coogler, who […]