TRAIN DREAMS (Netflix – TBD):  Train Dreams was one of only two films acquired for wide distribution during Sundance, and while Netflix clearly regards it as an awards contender, barring overwhelming critical support 9 months from now, it’s hard to see Clint Bentley’s quiet historical saga achieving a major impact among the mountains of […]

> Although Sundance still has several days to go, and surprises could spring up at any time (yesterday The Surrogate, a drama with John Hawkes as a man in an iron lung who decides to lose his virginity to a sex therapist played by Helen Hunt, came out of nowhere to win a huge $6M […]

  There’s a tendency to compare any slow-moving, beautifully-photographed drama with an abundance of natural imagery to the films of Terence Malick, but that’s unfair to the very particular surreal spirituality Malick brings even to his more insufferable projects.  In the case of AIN’T THEM BODIES SAINTS, the more apt comparison is probably to Robert […]

  HAL & HARPER (no network):  Cooper Raiff launched his career as an actor-writer-director with Shithouse, which won the Narrative Grand Jury Award at SXSW.  He parlayed that into Cha Cha Real Smooth, which was less well-regarded but nevertheless bought by Apple for $15M out of Sundance.  Like many indie filmmakers, he’s now shifted into television, […]

  STOKER is the kind of swank, elegant horror movie we don’t see very often in these days of unkillable chainsaw-wielding serial killers who make awful use of human remains.  It’s chilling, more than a little crazy, and also borderline silly, all of which are part of the fun. The film is the first English-language project […]

  No one can accuse LOW DOWN of attempting to glamorize the true story it tells.  Jeff Preiss’s first film as a director is a slow, grim dirge set in an underbelly of the jazz world in 1970s Los Angeles, and it’s been co-written (with Topper Lilien) and -produced (and based on the memoir by) Amy-Jo Albany, […]

  MIDDLE OF NOWHERE, which won the Sundance US Dramatic Directing award for Ava DuVernay last night, is in no rush.  The films moves with deliberation as it establishes its leading character and her difficult situation:  Ruby (Emayatzy E. Corinealdi) isn’t a single mom, but she might as well be, with husband Derek (Omari Hardwick) […]

  The writing team of David Wain and Michael Showalter (Wain directs) certainly knew that THEY CAME TOGETHER would be far from the first parody of romantic comedy movies to come along.  Date Movie opened back in 2008, Friends With Benefits, although it had other fish to fry, featured a dead-on film-within-the-film satire that starred […]