SHIRLEY (no distrib): Josephine Decker’s film isn’t really a biography of the horror writer Shirley Jackson (The Haunting of Hill House, The Lottery), played here by Elizabeth Moss. The script by Sarah Gubbins is based on a novel by Susan Scarf Merrell loosely inspired by Jackson’s life, and that fictional story has been changed […]
PROMISING YOUNG WOMAN (Focus/Universal – April 17): Emerald Fennell’s feature-film writing/directing debut has antecedents as old as the 1973 TV-movie The Girl Most Likely To… (co-written by Joan Rivers) and as recent as Killing Eve (for which Fennell served as Season 2 showrunner), with the added frisson of a #MeToo-driven storyline. Cassie (Carey Mulligan) […]
WILDLIFE (no distrib): If you’ve ever felt sorry for youngsters who are cordoned off from their parents’ difficult relationships, and then blindsided by the consequences, Paul Dano’s directing debut advises that pity should really be reserved for those children who know all too much about what’s going on. Dano’s austere and disturbing drama isn’t […]
There are any number of ways the story of Linda Lovelace and Deep Throat could be told to make a potentially fascinating movie, from the sociological to the political, the personal to the satiric. The laziest–one might even say the most cowardly–would be to simply repeat the events as they were originally presented to the public […]
R#J: Every generation gets its Romeo & Juliet. In Carey Williams’ R#J, the words of Shakespeare are only occasionally heard. Instead, these extremely up-to-date Capulets and Montagues communicate almost exclusively over social media on their phones, and those screens are where the bulk of the film takes place. As written by Williams, Rickie Castaneda and […]
I AM MOTHER (no distrib): Grant Sputore’s impressively controlled first feature brings us back to the post-apocalypse. In Michael Lloyd Green’s script, it appears as though the only surviving remnant of humanity is an unnamed girl (Clara Rugaard as a teen) raised from a fetus by a maternal robot (voiced by Rose Byrne). Mother […]
When push came to shove, a choice had to be made between The Birth of A Nation and “the farting corpse movie” (AKA Swiss Army Man), and your faithful narrator has to confess that he went with the former, so apologies for that. There are other films, as well, that I would have liked […]
THE WAY, WAY BACK: Watch It At Home – Modestly Engaging Coming-Of-Age Tale THE WAY, WAY BACK is one of the last real indie hopes for a original breakout hit this summer (it was a big buy out of Sundance, a $10M purchase by Fox Searchlight, the studio behind the Sundance smash Little Miss […]