NIGHTBITCH (Searchlight/Disney – Dec. 6):  Writer/director Marielle Heller tries to move outside her comfort zone with Nightbitch, following the small-scale character studies Diary Of A Teenage Girl, Can You Ever Forgive Me?, and A Beautiful Day In the Neighborhood.  Here, adapting a novel by Rachel Yoder, she shifts into body horror and surrealism… sort […]

> Rodrigo Garcia’s film ALBERT NOBBS (he shares auteurship with Glenn Close, who served as screenwriter with John Banville and Gabriella Prekop and as a producer as well as star) caters to what used to be called the James Ivory audience, when he was still churning his films out. In NY, these are the audiences […]

Michael Shannon is brilliant in ICEMAN, but it has to be said that he’s brilliant in just about the same way that he was in Take Shelter, in Revolutionary Road, on Boardwalk Empire, and even in The Runaways (although at least there he got to be funny).  For an actor who only became known to a wide audience 3 years ago […]

  BLUE IS THE WARMEST COLOR:  Buy A Ticket – A 3-Hour Deep Dive Into A Character’s Soul BLUE IS THE WARMEST COLOR is relentlessly, sometimes suffocatingly intimate.  By that I don’t mean its celebrated, lengthy (although simulated) sex scenes between lead characters Adele (Adele Exarchopolous) and Emma (Lea Seydoux), which have earned it an […]

  A week at the Toronto Film Festival added up to 24 screenings–a decent pace, but not an outstanding one.  Blame some vagaries of the festival’s scheduling, and a baseline decision that Midnight Madness was too much midnight and maybe even too much madness.  The potential awards contenders I wasn’t able to get to included […]

  KNIVES OUT (Lionsgate – November 27):  Rian Johnson’s delectable reinvention of the old-fashioned puzzle whodunnit wears its convoluted plotting on its sleeve, weaving and circling about so that when you think you know what’s going on, he can bang his trap shut.  Johnson isn’t shy about his influences here.  The murder victim, Harlan Thrombrey […]

  EMPIRE OF LIGHT (Searchlight/Disney – December 9):  Sam Mendes takes the first solo screenwriting credit of his long career on Empire of Light, a personal film inspired by his youth and his mother.  The story is centered around the seaside Empire movie theater, a once-grand palace that by the early 1980s has seen better […]

> I wasn’t aware that the Toronto Film Festival showed TV pilots until I caught a screening of PEACE, LOVE & MISUNDERSTANDING.  As a pilot, Peace certainly has its appeal, with a strong cast that includes Jane Fonda, Catherine Keener, Jeffrey Dean Morgan and rising star Elizabeth Olsen (Martha Marcy May Marlene), and a reliable […]