Few movies are as wholeheartedly dedicated to meta-ness as Martin McDonagh’s SEVEN PSYCHOPATHS.  The title of the movie is also the title of the script its main character Marty (Colin Farrell)–which, I believe, is short for “Martin”–is trying to write.  It’s also a tally that the movie keeps track of as the story moves […]

  BLACK AND WHITE – no current US distributor or release date – Not Even For Free BLACK AND WHITE was reportedly drawn from events in its writer/director Mike Bender’s own life, which makes it remarkable, on some bizarro level, that every single element of Binder’s script feels false and contrived.  Binder has been a […]

  ON CHESIL BEACH (no distrib):  Ian McEwan’s longish novella/shortish novel has been adapted by McEwan himself into a fluid and extremely English film, the first feature directed by stage director Dominic Cooke.  The main action takes place during the honeymoon night of Florence (Saorirse Ronan) and Edward (Billy Howle) in 1962, with copious flashbacks […]

  LUCY IN THE SKY (Fox Searchlight/Disney – October 4):  Lucy In the Sky may be Noah Hawley’s first feature film, but he’s already establishing himself as quite the overdirector.  Hawley’s X-Men off-shoot series Legion had a repertoire of shifting aspect ratios, surreal imagery and dislocations in sound, space and time that felt exciting and […]

  HIT MAN (no distrib):  A clever, funny, sexy entertainment from Richard Linklater and emerging star Glen Powell, who co-wrote the script with the director (both also produced), inspired by an already-wild true story.  Powell plays Gary Johnson, a philosophy teacher moonlighting as a consultant for a local Texas police department.  He’s supposed to be […]

> See also: THE BIJOU @ TIFF:  FIRST TITLES ANNOUNCEDTHE BIJOU @ TIFF:  FESTIVAL TITLES, ROUND TWOTHE BIJOU @ TIFF:  O CANADIAN TITLES! The Toronto International Film Festival prides itself on being one of the more comprehensive in the world, and today a slew of additional titles were announced for next month’s TIFF.  After the […]

  Steve McQueen (the filmmaker) doesn’t take it easy on audiences.  His first feature Hunger provided an excruciatingly detailed look at the fatal hunger strike of the Irish convict Bobby Sands, and he followed it with Shame, a cooly unsexy portrait of the ravages of sexual addiction.  His new film 12 YEARS A SLAVE is […]

  Ridley Scott’s THE MARTIAN is the jaunty sci-fi offspring of Apollo 13 and McGyver, Scott’s least self-important movie in years and not coincidentally his most enjoyable.  Drew Goddard’s expertly crafted script (based on the best-selling novel by Andy Weir) has a premise both simple and massively complex:  during a giant sandstorm on the surface […]