> As has been reported, there really was an ambulance outside the Ryerson Theatre in Toronto after the midnight premiere of Alexandre Courtes’ THE INCIDENT, there to rescue at least one person who had fainted during the movie.  Of course, this may just mean that Toronto Film Festival patrons have delicate sensibilities–an idea supported by […]

> One of the enduring questions of Madonna’s illustrious quarter-century career is how someone so brilliant in managing every other facet of her persona has consistently made such terrible decisions when it comes to movies.  It’s the one medium where she’s never succeeded, and even when she’s occasionally done something right, she instantly follows it […]

  MEGALOPOLIS (American Zoetrope/Lionsgate – Sept. 27):  Francis Ford Coppola’s long-awaited, much-discussed return to epic filmmaking, self-financed to the tune of $125M+ (he’s paying for the marketing as well as the production) is, alas, a hapless failure in every way.  Its fatuous pretentiousness might be excusable if it were a dazzling piece of cinema, but it […]

    The Toronto Film Festival is on its way, and SHOWBUZZDAILY will be there.  The Festival, which runs Sept 6-16, today announced the bulk of its highest-profile titles, those that will screen in the Gala and Special Presentation categories.  Here, at a first glance, are some of the most promising: GALAS ARGO:  Against the […]

>Click below for all SHOWBUZZDAILY‘s collected Toronto Film Festival reviews, in alphabetical order: 360 50/50 ALBERT NOBBS THE ARTIST BUTTER DAMSELS IN DISTRESS THE DEEP BLUE SEA THE DESCENDANTS DRIVE HICK THE IDES OF MARCH THE INCIDENT INTO THE ABYSS MONEYBALL THE MOTH DIARIES PEACE, LOVE AND MISUNDERSTANDING THE RAID RAMPART RESTLESS SALMON FISHING IN […]

> If Arthur Schnitzler had only been a member of the WGA in 1900, when he wrote the play La Ronde, and he’d had the benefit of the format rights guild members receive today, he and his descendants would be very rich indeed.  Schnitzler’s concept, a series of sequences in which, initially, Person A meets […]

One of the most charming things about Joss Whedon’s new film of MUCH ADO ABOUT NOTHING, unveiled today at the Toronto Film Festival, is that it’s not out to prove anything. Its actors are garbed in modern dress, and there are occasional nods to updating (very possibly as much for budget reasons as anything else, […]

  JUST MERCY (Warners – December 25):  As the release date suggests, this is a straight-down-the-middle Oscar play, and it may have some success in that arena (although Warners will also be campaigning for The Goldfinch and Joker).  Destin Daniel Cretton’s film, co-written with Andrew Lanham, belongs to the Innocent Man On Death Row subgenre, […]