> Although the word “International” is part of the name of the Toronto International Film Festival, it’s still Canada’s premier festival, and naturally features quite a few homegrown films.  Some of the most notable of these have already been announced (like David Cronenberg’s A DANGEROUS METHOD), and today TIFF announced the bulk of the rest.  […]

  JACKIE (Fox Searchlight – December 9):  The most impressive film of the festival thus far is director Pablo Larrain’s jewel-like examination of the realities and artifices behind our perceptions of history, viewed through the prism of Jackie Kennedy, who is played by Natalie Portman in a performance that goes beyond (brilliant) impersonation to deliver […]

> As has been reported, there really was an ambulance outside the Ryerson Theatre in Toronto after the midnight premiere of Alexandre Courtes’ THE INCIDENT, there to rescue at least one person who had fainted during the movie.  Of course, this may just mean that Toronto Film Festival patrons have delicate sensibilities–an idea supported by […]

  THE BOY AND THE HERON (GKids – Dec. 8):  Hiyao Miyazaki, a legend of animation (Spirited Away, My Neighbor Totoro, Princess Mononoke), had announced his retirement as a feature film director a decade ago, upon the release of The Wind Rises.  But at the age of 82, he’s returned with The Boy and the […]

  These haven’t been glory days for the Toronto Film Festival.  The WGA/SAG strikes dampened the vibe, of course–of the 27 films I saw at TIFF, only 4 screenings featured appearances from the cast.  Beyond that, for whatever reasons, TIFF also wasn’t favored by the studios with some of the major releases that instead opted […]

> Derick Martini’s HICK is like a Sundance movie that took the wrong indie-film exit and wound up in Toronto.  For whatever reason, Toronto’s film festival tends to find itself with fewer stories of young people from small towns who come of age on the road, so Hick has a little air of distinction here. […]

  PETERLOO (Amazon – November 9):  Not so much a movie as an illustrated historical recitation.  Mike Leigh’s film concerns the brutal 1819 government militia attack on civilians listening to a public address at St. Peter’s Field in Manchester, England, which came to be known as “Peterloo” because the bloodshed was likened to the then-recent […]

  THE THEORY OF EVERYTHING (Focus/Universal) – Opens November 7  – Worth A Ticket There’s a benefit but also a burden to being clear-cut “Oscar bait.”  At this point we all know the kinds of movies the Academy looks upon with favor:  serious biographies, period pieces, leading actors who contort themselves in one way or […]