LUCY IN THE SKY (Fox Searchlight/Disney – October 4):  Lucy In the Sky may be Noah Hawley’s first feature film, but he’s already establishing himself as quite the overdirector.  Hawley’s X-Men off-shoot series Legion had a repertoire of shifting aspect ratios, surreal imagery and dislocations in sound, space and time that felt exciting and […]

  SILVER LININGS PLAYBOOK:  Don’t Get Sold Out – A Rom-Com With Dance Moves All Its Own Anyone who doubts that Jennifer Lawrence is a real-thing, big-time movie star should get thee hence to a theater showing SILVER-LININGS PLAYBOOK, opening today in limited release and gradually spreading across the through through the holiday (and awards) […]

  Sadly, the phrase “BEING CHARLIE is Rob Reiner’s best film in years” doesn’t mean nearly as much as it once would have.  After a decade where he could do no wrong, he has, incredibly enough, been in the Hollywood wilderness for twenty years now, churning out flops like The Story of Us, Alex and […]

  Natalie Portman certainly hasn’t made it easy for herself with her debut as a writer/director, A TALE OF LOVE AND DARKNESS.  The film, which premiered at Cannes (but tellingly, doesn’t yet have a US distributor) before its first North American screening at the Toronto Film Festival tonight, is a period piece shot almost entirely […]

  THE MAGNIFICENT 7 (Village Roadshow/MGM/Columbia/Sony – Sept 23):  Cinema survived in 1960 when Akira Kurosawa’s masterpiece The Seven Samurai was transformed into an American western, and it will survive this new adequate but uninspired remake of the remake.  Despite a script co-credited to True Detective‘s Nik Pizzolatto (with Richard Wenk), and a promising match-up […]

  ON SWIFT HORSES (no distrib):  In the years after World War II, Muriel (Daisy Edgar-Jones) marries Lee (Will Poulter), who’s hardworking and in love with her but not exciting, and they move into the Kansas house she inherited from her family.  First she hears about, then she finally meets Lee’s brother Julius (Jacob Elordi), who’s […]

  DALLAS BUYERS CLUB is more Erin Brockovich than Brian’s Song, and that’s why it works so well.  Jean-Marc Vallee’s film, written by Craig Borten and Melisa Walack, is too angry to be sentimental.  Set during the 1980s, it tells the story of Ron Woodroof (Matthew McConaughey, in a career-highlight performance), a hard-living, homophobic Texas electrician and rodeo rider […]

> TIFF’s Midnight Madness program is exactly what you think it is:  10 flat-out, unapologetic genre movies that premiere each night at midnight in front of a raucous crowd at the 1200-seat Ryerson Theatre.  In any given year, the Madness may include unexpected gems like last year’s Insidious and 2006’s Borat, interestingly weird pictures such […]