With The Silver-Linings Playbook and now Wayne Blair’s THE SAPPHIRES, Harvey Weinstein may have the feel-good part of the coming awards season locked down.  This slight but charming true story (or at least “inspired by” one) about an Australian singing group is like the happytime version of Dreamgirls. The story is set in 1968 Australia, a time when, […]

  EMPIRE OF LIGHT (Searchlight/Disney – December 9):  Sam Mendes takes the first solo screenwriting credit of his long career on Empire of Light, a personal film inspired by his youth and his mother.  The story is centered around the seaside Empire movie theater, a once-grand palace that by the early 1980s has seen better […]

  MEGALOPOLIS (American Zoetrope/Lionsgate – Sept. 27):  Francis Ford Coppola’s long-awaited, much-discussed return to epic filmmaking, self-financed to the tune of $125M+ (he’s paying for the marketing as well as the production) is, alas, a hapless failure in every way.  Its fatuous pretentiousness might be excusable if it were a dazzling piece of cinema, but it […]

  NIGHTCRAWLER (Open Road) – Opens October 31 – Worth A Ticket Over the past few years, Jake Gyllenhaal has seemed determined to scrub the wholesomeness out of his screen image, in movies like Zodiac, Brothers, End of Watch and Prisoners.  He achieves true creep-ness in NIGHTCRAWLER, which premiered at the Toronto Film Festival before […]

  WICKED LITTLE LETTERS (no distrib):  In The Lost Daughter, Olivia Colman and Jessie Buckley played the same character at different ages, which prevented them from sharing the screen.  That’s remedied in the fairly irresistible Wicked Little Letters, an English small-town comedy in the classic (if exceptionally foul-mouthed) mode.  Inspired by a true incident, it tells the […]

  THE LAST 5 YEARS (Radius/Weinstein) – release date currently unscheduled – Worth A Ticket Richard LaGravenese’s  film version of Jason Robert Brown’s THE LAST 5 YEARS, which premiered at the Toronto Film Festival and was acquired for release by the Radius division of the Weinstein Company, is a must-see for anyone who loves musicals–and very […]

  THE LIFE OF CHUCK (no distrib):  Although Mike Flanagan first gained attention as a director of low-budget feature films, he may be the first horror filmmaker to become an acknowledged master of the genre largely through episodic television, notably The Haunting of Hill House, The Haunting of Bly Manor, Midnight Mass and The Fall Of the House […]

  FAHRENHEIT 11/9 (Midwestern – opens September 21):  In the course of Fahrenheit 11/9, Michael Moore takes a shot at Jeff Zucker and Les Moonves for admitting that Donald Trump has been good for their businesses, but it’s a weakness of Moore that he lacks the self-knowledge to recognize that the same is true for […]