THE FIRST TIME may be too lovable for its own good. Jonathan Kasdan’s teen romance, which premiered in the Dramatic Competition at Sundance, couldn’t be more straightforward: in its opening minutes, it introduces the adorable Dave (Dylan O’Brien) and Aubrey (Britt Robertson), two hyper-articulate sweethearts who meet outside a suburban LA party neither of […]
A surprisingly commercial concoction by Sundance standards, Gillian Robespierre’s OBVIOUS CHILD doesn’t feel very much unlike the pilot for a cable dramedy. That’s not meant as any kind of dire criticism; TV could use more smart, funny female voices like Robespierre’s and star Jenny Slate’s (Slate is already featured in a multitude of high-class TV shows, […]
WANDERLUST: Watch It At Home – Hippy Jokes Thawed Out From 1966 The new WANDERLUST demonstrates the strengths and limitations of amiability in movies. Its stars, Jennifer Aniston and Paul Rudd, have made very profitable careers out of being professionally likable. Unlike, say, Tom Hanks, who also began his career in […]
> Mary Harron’s career has previously included such fascinatingly transgressive films as I Shot Andy Warhol, American Psycho and The Notorious Bettie Page, which is the only sensible explanation for the inclusion of her new, dreadful sub-CW gothic thriller THE MOTH DIARIES in this year’s Toronto Film Festival. Diaries, which Harron adapted from a (reportedly […]
MONSTERS UNIVERSITY: Watch It At Home – No Dean’s List For Pixar’s Latest There’s a wonderfully charming, imaginative Pixar movie opening on Friday, one that will restore your faith in the studio’s near-miraculous ability to give life and personality to the most unlikely objects (here including a parking meter and a Walk/Don’t Walk light, […]
DOLEMITE IS MY NAME (Netflix – October 4 in theatres/October 25 streaming): Putting aside his strong dramatic turn in Dreamgirls, it’s been an incredible 20 years, dating back to 1999’s Bowfinger, since Eddie Murphy’s work inspired the kind of joy that typified the first two decades of his career, joy that’s been diminished with […]
MOLLY’S GAME (STX): Aaron Sorkin is a celebrated (or notorious, depending on your point of view) control freak, so it’s surprising that it’s taken him this long to decide to direct his own work. His first venture as writer/director MOLLY’S GAME is completely assured, not fancy with its visuals but not timid, either. By […]
THOR: THE DARK WORLD: Watch It At Home – The Universe Is In Danger! (Yawn) Massive superhero adventures are now so plentiful that they’re a genre unto themselves. Within Marvel’s Avengers universe, the Thor subfranchise is the least Earthbound and most filled with mumbo-jumbo, and that’s true as well of the (barely) new THOR: […]