The Sundance programmers, one has to assume, are big fans of TV’s Happy Endings.  Casey Wilson is part of that show’s wonderful ensemble, and one of its most reliably hilarious members.  The news that she was co-writing (with co-star June Diane Raphael) her own comedy vehicle must have seemed promising.  Yet at some point […]

  HUGO:  Worth A Ticket – If Only For the Visual Splendors   Paramount doesn’t have much choice but to market Martin Scorsese’s HUGO as a family movie:  it’s got a PG rating, a young boy and girl as the hero and heroine, a children’s book (“The Invention of Hugo Cabret” by Brian Selznick) as […]

  FUN SIZE:  Not For Any Price – As Halloween Movies Go, John Carpenter’s Are Funnier FUN SIZE marks the feature directing debut of Josh Schwartz, but he’s hardly a neophyte, being the muscle behind (and for the most part a writer/creator of) The O.C., Gossip Girl, Chuck and Hart of Dixie.  He certainly knows […]

> THE CHANGE UP – Watch It At Home:  Cliches with Dirty Words Are Still Cliches There have been plenty of R-rated comedies this summer–a bumper crop, really–but none more fully committed to raunch than THE CHANGE-UP.  The script by Jon Lucas and Scott Moore (they wrote The Hangover, but also Ghosts of Girlfriends Past) […]

  The old truism that Park City empties out during the second half of the Sundance Film Festival, making it possible to see all the hot titles that premiered at the festival’s start, is far less true than it used to be.  It was impossible to get into the festival’s big buy, The Way, Way […]

  SHIRLEY (no distrib):  Josephine Decker’s film isn’t really a biography of the horror writer Shirley Jackson (The Haunting of Hill House, The Lottery), played here by Elizabeth Moss.  The script by Sarah Gubbins is based on a novel by Susan Scarf Merrell loosely inspired by Jackson’s life, and that fictional story has been changed […]

  EMANUEL AND THE TRUTH ABOUT FISHES is deeply, satisfyingly strange.  In a way, it’s a validation not just of Sundance, but the whole film festival system that is now our main way of finding out about distinctive new talent.  It also tells a story based in large part on a single plot development that, while […]

  It’s almost unheard-of for a franchise to need 5 installments to hit its stride, but that was the case with 2011’s Fast Five.  After kicking around with its first, moderately successful quartet in various locations and featuring shifting combinations of characters (aside from a seconds-long cameo, neither Vin Diesel nor Paul Walker even appeared […]