THE CROODS:  Watch It At Home – Prehistoric Sitcom’s Bland Storyline Doesn’t Evolve Hollywood already has a thriving CG-animated prehistoric franchise in the Ice Age series, but DreamWorks Animation is in serious need of a hit, so now there’s the new THE CROODS.  It’s far too familiar, not just in the setting and plot territory it explores […]

  BLUE JASMINE:  Worth A Ticket – Cate Blanchett Is Dazzling in Woody Allen’s Latest Woody Allen has made so many movies at such regular intervals, and they’re so thematically linked, that it’s tempting to view his work as one gigantic serial, a by-now 60-hours-plus epic of disappointments in life and love, artistic fantasy, moral […]

  HER:  Buy A Ticket – Tetrabytes of Love From Spike Jonze HER, which was presented at the AFI Film Festival before opening in theatres next month, is the first film Spike Jonze has directed from his own original script, and although its inventiveness recalls Being John Malkovich and Adaptation., the projects on which he collaborated […]

  Of all the films in this year’s US Dramatic Competition at Sundance, Kat Candler’s HELLION was the one that most closely matched what’s become a festival template: Aggressively shaky handheld camerawork:  Check. Small-town dysfunctional family (alcoholic/grief-stricken division):  Check. Third act sparked by violence:  Check. Rebellious yet sensitive and misunderstood young protagonist:  Check. Commercially successful […]

  THIS IS WHERE I LEAVE YOU (Warners) – Opens September 19 – Worth A Ticket Jonathan Tropper’s very successful day job is writing seriocomic novels about families and romance that are distinguished by their male protagonists–the ground he trods is similar to Nick Hornby’s, but without quite matching Hornby’s freshness of approach or wit.  […]

  SNOWDEN (Open Road – Sept 16):  Oliver Stone’s return to politically-charged biography is subdued by the standards of his Nixon or W.  It’s a hagiography that follows the character arc of his Born of the Fourth of July (true believer finds his ideals crushed by political reality and transforms into a revolutionary agent against […]

  OPHELIA (no distrib):  Claire McCarthy’s film, written by Semi Chellas from Lisa Klein’s novel, dampens the fun of its own concept.  The idea is to re-tell Hamlet through the eyes of Shakespeare’s ill-fated Ophelia (Daisy Ridley) in a somewhat feminist way, and unlike other Bard marginalia like Tom Stoppard’s Rosencrantz and Guildenstern Are Dead […]

  WAVES (A24 – November 1):  Trey Edward Shults’ third film (after the micro-budgeted indie Krisha and the horror movie They Come By Night) manages the remarkable feat of feeling both experimental and grounded, as propulsive as an episode of Euphoria without that show’s smug affectations.  There isn’t a lot of plot, and what there […]