HORSE GIRL (Netflix – February 7):  Every one of the four films Jeff Baena has directed had its premiere at Sundance, with Horse Girl following Life After Beth, Joshy and The Little Hours.  It’s an impressive accomplishment for a filmmaker who hasn’t made a particular commercial or critical breakout hit.  Horse Girl may have […]

  HONK FOR JESUS.  SAVE YOUR SOUL (no distrib):  Scandal-ridden mega-churches aren’t exactly fresh territory for screens big (The Tears of Tammy Faye) or small (The Righteous Gemstones), with tones that range from wildly comic to solemn.  Adamma Edo’s feature debut doesn’t have much to add to the subject, but it does have Sterling K. […]

  WICKED LITTLE LETTERS (no distrib):  In The Lost Daughter, Olivia Colman and Jessie Buckley played the same character at different ages, which prevented them from sharing the screen.  That’s remedied in the fairly irresistible Wicked Little Letters, an English small-town comedy in the classic (if exceptionally foul-mouthed) mode.  Inspired by a true incident, it tells the […]

  SATURDAY NIGHT (Columbia/Sony – Sept 27):  It’s easy to imagine a film about Saturday Night Live making a statement about the cultural, political and financial impact of the show, or recounting its long journey from being a shout of youthful abandon to one of the last remaining pillars of traditional broadcast television.  That isn’t the […]

  THE BUTLER:  Worth A Ticket – Superb Acting Elevates A History Lesson THE BUTLER, in its form and earnestness, recalls the days of prestige TV movies and miniseries that used to be associated with the Hallmark Hall of Fame and network sweeps periods (and which now exist only as a vestige on pay-cable, mostly […]

> THE LORAX:  Not Even For Free – A Seussian Mess It may not be pretty, but surely it’s true–Credit must go where credit is due.  In this case, that means the Universal Pictures Marketing Department, which as it turns out has done a splendid job these last few weeks of hiding just how thoroughly […]