ON CHESIL BEACH (no distrib): Ian McEwan’s longish novella/shortish novel has been adapted by McEwan himself into a fluid and extremely English film, the first feature directed by stage director Dominic Cooke. The main action takes place during the honeymoon night of Florence (Saorirse Ronan) and Edward (Billy Howle) in 1962, with copious flashbacks […]
BOY ERASED (Focus/Universal – November 2): Joel Edgerton’s film is the second of the year concerning gay conversion therapy, and its tone is far more conventional than The Miseducation of Cameron Post. Lucas Hedges plays Jared Eamons (this is a fictionalized version of a true story), son of southern pastor Marshall (Russell Crowe) and […]
This was a Toronto Film Festival unlike any other, and not just because I “attended” it from the laptop in my house. Toronto has become an important stop on the road to the Academy Awards, with 9 of the past 10 Best Picture winners premiering or screening there. (Birdman was the exception.) But no […]
GOD’S COUNTRY (no distrib): A deliberative character study that’s also a thriller of sorts, anchored by one of the best performances of Thandiwe Newton’s career. When two hunters (Joris Jarsky and Yellowstone‘s Jefferson White) park their pick-up on college professor Sandra Guidry’s (Newton) land for their convenience, they’re messing with the wrong person. Sandra’s […]
RUSTIN (Netflix – Nov. 17): The director and producer George C. Wolfe is a towering figure in American theater, but his films to date have been wobbly at worst (A Night in Rodanthe, You’re Not You) and sturdy at best (Ma Rainey’s Black Bottom, The Immortal Life of Henrietta Lacks). Rustin marks his most accomplished […]
> Although the word “International” is part of the name of the Toronto International Film Festival, it’s still Canada’s premier festival, and naturally features quite a few homegrown films. Some of the most notable of these have already been announced (like David Cronenberg’s A DANGEROUS METHOD), and today TIFF announced the bulk of the rest. […]