There’s no cutesiness to be found in John Curran’s film TRACKS, a bracingly non-Disneyfied true-life nature tale. In the mid-1970s, a young Australian woman named Robyn Davidson decided to walk across almost two thousand miles of desert to the Indian Ocean, accompanied for the most part by only a few camels and her faithful dog. […]
SIDNEY HALL (no distrib): Shawn Christensen’s literary drama (written with Jason Dolan) is initially engaging as a modern-day sort of J.D. Salinger story, told simultaneously across three time periods, with Sidney Hall (Logan Lerman throughout) presented as an arrogant but troubled teen, an acclaimed novelist, and a middle-aged man who’s run away from the […]
>Benh Zeitlin’s BEASTS OF THE SOUTHERN WILD is the kind of movie that makes people wince when they hear “independent film”. A tale, with magical realist overtones, set in the mostly African-American poverty of the Louisiana bayous, it’s narrated by its precocious child protagonist, known as Hushpuppy (Quvenzhane Wallis). Hushpuppy lives with her father Wink […]
Maybe it’s time for a filmmaker who doesn’t give a damn about the Beat Generation to make the next movie about them. Michael Polish’s BIG SUR joins last year’s On the Road as a Jack Kerouac adaptation that’s gorgeously filmed, performed with seriousness and commitment, and dramatically paralyzed. (I missed this year’s other Sundance […]
THE DISAPPEARANCE OF ELEANOR RIGBY: HIM & HER is an extraordinary feature debut for its writer/director Ned Benson. Indeed, it’s so remarkable that it comes close to not needing the modifier “debut” to express how good it is–if Benson hadn’t bitten off a bit more than he could chew, this would have been one (or […]
> Watch It At Home; The thrills are so postmodern, they don’t seem to be happening in the theater. When the original Scream arrived in 1996, the slaughtering-the-teenagers genre was already old enough to drive; the first Friday the 13th had opened more than 16 years before. The conventions of the form were as well-worn […]
LARRY CROWNE: Watch It At Home – Giant Stars/Tiny Ambitions Allow me to play Nostradamus for a moment. the day will come–and it’s not far off–when you’ll be sitting in front of your TV set, remote in hand (or maybe you’ll be looking at your online streaming site, the vision is a little […]
DALLAS BUYERS CLUB is more Erin Brockovich than Brian’s Song, and that’s why it works so well. Jean-Marc Vallee’s film, written by Craig Borten and Melisa Walack, is too angry to be sentimental. Set during the 1980s, it tells the story of Ron Woodroof (Matthew McConaughey, in a career-highlight performance), a hard-living, homophobic Texas electrician and rodeo rider […]