REBEL IN THE RYE (no distrib): Danny Strong’s first film as a director is a biography of J. D. Salinger (Nicholas Hoult), and it hits all the Salinger bullet points: his early struggles to get published, his spectacularly doomed romance with legendary playwright’s daughter Oona O’Neill (he lost her to Charlie Chaplin), his difficult […]
THE LAST WORD (Bleecker Street): Shirley MacLaine does the irascible codger thing. She’s smart enough not to overplay the very familiar hand she’s been dealt by screenwriter Stuart Ross Fink and director Mark Pellington, but still there’s little here we haven’t seen many times before. Harriet Lauler (MacLaine), while a holy terror to everyone […]
Note: this will be our final installment of Toronto reviews, although the festival runs on until Sunday. It’s been a good if not classic festival, with a trio of legitimately great presentations in La La Land, Jackie and Moonlight, as well as the enormously fun if not particularly artistic Sing, and other strong titles […]
LA LA LAND (Summit/Lionsgate – December 2): No film arrived at Toronto this year with more hype to live up to than Damien Chazelle’s La La Land, the follow-up to the filmmakers’s Oscar-winning Whiplash and the recipient of white-hot raves in Venice (where Emma Stone won the Best Actress award) and Telluride. Chazelle’s rapturous […]
JACKIE (Fox Searchlight – December 9): The most impressive film of the festival thus far is director Pablo Larrain’s jewel-like examination of the realities and artifices behind our perceptions of history, viewed through the prism of Jackie Kennedy, who is played by Natalie Portman in a performance that goes beyond (brilliant) impersonation to deliver […]
For this audience member, it was the day Toronto moved into high gear. MOONLIGHT (A24 – October 21): Barry Jenkins’s second film, after his little-seen but much-praised Medicine For Melancholy, is a validation of film festival culture and a reminder of the power of film as personal expression. (Although the source material is a […]
COLOSSAL (no distrib): Well, you haven’t seen this take on sci-fi spectacles before. In Nacho Vigalondo’s whatzit, party girl Gloria (Anne Hathaway) and her hometown friend Oscar (Jason Sudeikis) discover that they can cause their actions to be mirrored by a giant sea monster and robot terrorizing Seoul. In other words, if one of […]
SNOWDEN (Open Road – Sept 16): Oliver Stone’s return to politically-charged biography is subdued by the standards of his Nixon or W. It’s a hagiography that follows the character arc of his Born of the Fourth of July (true believer finds his ideals crushed by political reality and transforms into a revolutionary agent against […]