SABOTAGE:  Not Even For Free – A Bloody Waste SABOTAGE is a lot bloodier than you’re expecting.  A lot bloodier.  I mention this upfront because although an R-rated Arnold Schwarzenegger vehicle carries with it a certain likelihood of violence, the level of gore in Sabotage is more like what you’d see in a horror […]

  DIVERGENT:  Watch It At Home – Not Hungry Enough The film of DIVERGENT, even more than Veronica Roth’s YA-franchise source novel, is determined to resemble The Hunger Games as much as any movie can that’s telling a different story with a different set of characters.  (Not an illogical thing to do, considering that the […]

  VERONICA MARS:  Watch It At Home – Still a TV Show, For Better and Worse It was probably impossible for the movie of VERONICA MARS to live up to the story of how it came to be made.  That’s an epic, decade-long saga, which began when the TV series, critically praised but never a […]

  BAD WORDS:  Watch It At Home – Hilarious, For a While BAD WORDS eventually has to spell out its plot, and that’s when, like many an initially enthusiastic competitor, it fades, becoming increasingly soft and even sentimental.  For a while though, Jason Bateman’s directing debut, from a script by Andrew Dodge, is resolutely, and […]

  NEED FOR SPEED:  Watch It At Home – Not Enough Fuel If there was ever a movie that didn’t need to be over 2 hours long, the relatively unpretentious NEED FOR SPEED was it.  Action movies these days too often feel like they have to be epics, loaded with backstory and climactic showdowns that […]

  THE GRAND BUDAPEST HOTEL:  Worth A Ticket – Wes Anderson’s Latest Fancy Box Has Something Inside Where has the “Academy” 1.37:1 screen aspect ratio been all of Wes Anderson’s life?  One of Anderson’s visual motifs (some would say “fetishes”) is to photograph his actors enclosed in windows, doorways, or other pieces of production design, […]

  ENDLESS LOVE:  Not Even For Free – Hopeless Wreck Truly:  why does this new ENDLESS LOVE exist?  Even on the crassest commercial level, it makes very little sense.  The 1981 Franco Zeffirelli/Brooke Shields/Martin Hewitt version is remembered as neither good nor particularly successful (it made only half as much as Shields’ Blue Lagoon had […]

  WINTER’S TALE:  Not Even For Free – 2 Hours of Thin Tinsel The new movie WINTER’S TALE makes one ponder the phrase “labor of love.”  It marks the feature directing debut of the enormously successful writer/producer Akiva Goldsman, whose films include A Time To Kill, A Beautiful Mind, Cinderella Man, Hancock, The Da Vinci […]