ROBOCOP:  Watch It At Home – A Tinny Remake This weekend’s movie openings feature no less than 3 remakes of 1980s hits, with new versions of ROBOCOP, About Last Night and Endless Love arriving at once, but it’s just as notable that all three were R-rated in their original forms, and two have now […]

  THE LEGO MOVIE:  Buy A Ticket – The Pieces All Fit Together Phil Lord and Christopher Miller’s THE LEGO MOVIE wants to have its family movie cake and eat it too, and it’s a remarkably tasty dish.  Lego takes the kind of endlessly clever, fully-realized fantasy universe we associate with the best of Pixar […]

  THE MONUMENTS MEN:  Watch It At Home – George Clooney’s Film Is No Classic Work of Art George Clooney’s THE MONUMENTS MEN is a startlingly complete failure.  It’s Clooney’s fifth film behind the camera (after Confessions of a Dangerous Mind, Good Night, and Good Luck., Leatherheads, and The Ides of March), but it’s the […]

  Of all the films in this year’s US Dramatic Competition at Sundance, Kat Candler’s HELLION was the one that most closely matched what’s become a festival template: Aggressively shaky handheld camerawork:  Check. Small-town dysfunctional family (alcoholic/grief-stricken division):  Check. Third act sparked by violence:  Check. Rebellious yet sensitive and misunderstood young protagonist:  Check. Commercially successful […]

  For SHOWBUZZDAILY’s full set of Sundance capsule reviews, click here.   What kind of filmmaker does Mona Fastvold want to be?  It’s an existential question that comes up often at Sundance, where artistic and industry cred are often judged at the same time.  THE SLEEPWALKER, Fastvold’s first film as director and (with Brady Corbet, […]

  THAT AWKWARD MOMENT:  Watch It At Home – Low-Impact Rom-Com If you heard that a new indie movie featured the stars of the past 2 years’ back-to-back Sundance sensations, Michael B. Jordan from 2013’s Fruitvale Station and Miles Teller from this year’s Whiplash, would you be intrigued? What if Zac Efron was the other […]

  Of all the titles in this year’s Sundance US Dramatic Competition line-up, none may have been more promising on paper than GOD’S POCKET.  Based on a novel by Pete Dexter, it marked the feature directing debut of the actor John Slattery, whose work behind the camera on Mad Men has produced some of the […]

  The post-apocalyptic sci-fi western, which once must have seemed revolutionary and innovative, is now (it dates back at least to 1975’s A Boy and His Dog) an established subgenre.  Jake Paltrow’s entry into the field, YOUNG ONES, was roundly panned at Sundance, possibly because of that familiarity, but it’s a reasonably ambitious and quite […]