Kate Barker-Froyland’s directing debut SONG ONE is so wispy and insubstantial that the bytes making up its digital images seem barely capable of adhering to a screen.  Clearly influenced by John Carney’s mini-musical Once, it makes Carney’s film look like an Andrew Lloyd-Webber spectacle by comparison. Barker-Froyland also wrote the minimal script, which almost exhausts its resources […]

  A surprisingly commercial concoction by Sundance standards, Gillian Robespierre’s OBVIOUS CHILD doesn’t feel very much unlike the pilot for a cable dramedy.  That’s not meant as any kind of dire criticism; TV could use more smart, funny female voices like Robespierre’s and star Jenny Slate’s (Slate is already featured in a multitude of high-class TV shows, […]

  Joe Swanberg, the director, writer and co-star of HAPPY CHRISTMAS, which premiered at Sundance earlier this week, makes Woody Allen look lazy.  He’s had something like a dozen features to his credit since the start of the decade, and that doesn’t include his shorts and contributions to compilations like V/H/S, to say nothing of the projects […]

  Star power makes all the difference  in THE SKELETON TWINS.  Craig Johnson’s dramedy (written with Mark Heyman) takes place in fairly commonplace territory, especially at Sundance:  siblings bound together, whether they like it or not, by embittered love and old family scars.  What isn’t expected, though, is for those roles to be filled by SNL alumni Kristen […]

  The trouble with trying to recommend THE ONE I LOVE , written by Justin Lader and directed by Charlie McDowell, is that it’s impossible to describe how clever, surprising and intriguing it turns out to be without giving up its secrets.  It begins straightforwardly–so much so, in fact, that you might need to restrain an “Ah, […]

  JACK RYAN: SHADOW RECRUIT:  Watch It At Home – Tom Clancy’s Hero Is Plugged Into A Routine Action Movie The fourth movie incarnation of Tom Clancy’s emblematic hero Jack Ryan (in 5 films) finds him much diminished.  Ryan was introduced in Clancy’s first novel, The Hunt For Red October, in 1984, which was filmed […]

  GRUDGE MATCH:  Watch It At Home – Far From A Knock-Out 1976 was the year of both Taxi Driver and Rocky.  Sylvester Stallone would go on to make innumerable millions, but he’d never be taken as seriously again as he was that year, as writer and star of the Cinderella movie he rode all the […]

  47 RONIN:  Not Even For Free – Another Big-Budget Hollywood Folly, Gift-Wrapped For Christmas 47 RONIN blows into town on unusually fetid winds of bad buzz.  It began filming something like 2 1/2 years ago under the direction of first-timer Carl Rinsch, who hails from commercials (naturally), and then had to be significantly reshot, […]