CARRIE:  Watch It At Home – Respectable But Uninspired Rebo The talented director Kimberley Peirce plays a losing game with her remake of Brian DePalma’s iconic 1976 CARRIE.  (In fairness to Peirce, it’s not clear how many of the creative shots she was calling; she signed on as a director-for-hire after struggling for years […]

  CAPTAIN PHILLIPS:  Order Tickets Now – Exceptionally Taut, Intelligent Real-Life Thriller Paul Greenglass is a master of capturing pulse-pounding immediacy on film, and for most directors that would be enough.  Hollywood would be more than happy to back a money truck up to his door and have him churn out nothing but additional Bourne […]

  In recent years, the… let’s call it mature audience has been a profitable one, making moderate hits of films like The Best Exotic Marigold Hotel and Quartet.  This holiday season, the title of choice for this niche is likely to be PHILOMENA, a literate tearjerker that Harvey Weinstein unveiled at the Venice and Toronto film festivals. Based on a true […]

  THE LAST OF ROBIN HOOD is an odd miss, a sliver of movie history that seems to have all the right elements but never quite jells.  The title refers to Errol Flynn, legendary swashbuckling star of The Adventures of Robin Hood, The Sea Hawk, The Dawn Patrol and many other classic Hollywood adventures, and it’s hard to […]

  A film festival is certainly the place for a feature-length semi-linear flow of unscripted dialogue and bizarre imagery if anywhere is, so welcome to UNDER THE SKIN.  The writer/director Jonathan Glazer has gradually been transforming into an abstract filmmaker:  he started with Sexy Beast, which was a fairly traditional narrative, then followed it with Birth, a piece […]

  The writer/producer/director John Wells made his reputation as the showrunner of ER, and he’s known as one of the most consistent, professional producers in the network business, with impeccable shows like The West Wing and Third Watch to his credit.  In recent years, though, he’s been spending a lot of his time in the more rambunctious world […]

  There’s no cutesiness to be found in John Curran’s film TRACKS, a bracingly non-Disneyfied true-life nature tale.  In the mid-1970s, a young Australian woman named Robyn Davidson decided to walk across almost two thousand miles of desert to the Indian Ocean, accompanied for the most part by only a few camels and her faithful dog. […]

  There is a reason, or at least an argument, for why almost everything in Paul Haggis’s THIRD PERSON feels synthetic and contrived–but I can’t make it here, because doing so would expose the film’s purported surprises.  And I’m not sure it really matters anyway, since even though, after the fact, one might be able to “justify” […]