THE INTERNSHIP:  Watch It At Home – No Search Engine Necessary To Predict the Plot Vince Vaughn has been playing his motormouth-with-a-heart-of-gold character pretty much non-stop since Swingers in 1996.  That’s 17 years of minimal variations on the same basic schtick.  It’s not that he can’t do anything else–he was quite good in a […]

  THE EYES OF TAMMY FAYE (Searchlight/Disney – in release):  The reason for expanding a documentary into a scripted narrative is typically to allow for an exploration of motive and emotional background not available in the existing footage.  A documentary can show what happened, but not necessarily why it happened.  That makes The Eyes of […]

  X-MEN:  DAYS OF FUTURE PAST:  Buy A Ticket – For Once, The Script Is As Mighty As the CG After the money-making meatball that was Godzilla, X-MEN: DAYS OF FUTURE PAST serves welcome notice that a movie can cost hundreds of millions of dollars, be crammed with CG-generated spectacle, and still have room for an […]

  OUT OF THE FURNACE:  Watch It At Home – Dark Thriller Is Less Weighty Than It Thinks A great deal of heart and effort has gone into OUT OF THE FURNACE, and it’s disappointing to see the film resolve itself into little more than a fairly routine revenge melodrama, even though director Scott Cooper […]

  TOP FIVE:  No Current US Distributor or Release Date (but that will change very soon) – Worth A Ticket Chris Rock is generally considered among the greatest stand-ups of his generation, and it’s been clear for some time that he wants to move up to the next cultural echelon, the level of regard where […]

  When Joseph Gordon-Levitt decided to make his feature writing and directing debut with DON JON’S ADDICTION (starring in it as well), his attitude was clearly Go Big Or Go Home.  To a large extent, he’s pulled off his audacious comedy, although in keeping with its theme, this may be the kind of movie people […]

  IMMORTALS:  Watch It At Home – Brainless, Violent and Weirdly Spectacular   There’s no question that the director Tarsem Singh has an eye.  Singh started as a director of commercials and music videos–his most famous is probably REM’s “Losing My Religion”–and his features The Cell and The Fall both had striking, memorable visuals.  Both […]

  When push came to shove, a choice had to be made between The Birth of A Nation and “the farting corpse movie” (AKA Swiss Army Man), and your faithful narrator has to confess that he went with the former, so apologies for that.  There are other films, as well, that I would have liked […]