MELANCHOLIA – Watch It At Home – The Title Tells the Tale Here’s a quick primer in Oscar rules and how studios can get around them. In order for a film to be Oscar-eligible (other than in a few special categories like Documentary and Foreign Film), it needs a theatrical release in […]
TOWER HEIST: Watch It At Home – Hardly Luxury-Class There may never have been a director more proud of being a hack than Brett Ratner. In a recent NY Times profile, Ratner boasts (when he’s not going on about his friendship with Roman Polanski, because yeah, there’s a social relationship you’d want […]
Click on SHOWBUZZDAILY‘s reviews from this year’s Sundance Film Festival, in alphabetical order: 2 DAYS IN NEW YORK (Magnolia) BACHELORETTE (No Distrib) BEASTS OF THE SOUTHERN WILD (Fox Searchlight) CELESTE AND JESSE FOREVER (Sony Pictures Classics) COMPLIANCE (Magnolia) FILLY BROWN (No Distrib) THE FIRST TIME (No Distrib) FOR A GOOD TIME, CALL… (Focus) […]
PEOPLE LIKE US: Watch It At Home – Not The First Movie Like This Sam Harper (Chris Pine) is a guy we’ve met before. He’s the fast-talking, self-absorbed hustler who gets along in life by sheer nerve, and doesn’t really care about anyone else. He needs to open himself up to the problems […]
SILVER LININGS PLAYBOOK: Don’t Get Sold Out – A Rom-Com With Dance Moves All Its Own Anyone who doubts that Jennifer Lawrence is a real-thing, big-time movie star should get thee hence to a theater showing SILVER-LININGS PLAYBOOK, opening today in limited release and gradually spreading across the through through the holiday (and awards) […]
LINCOLN: Worth A Ticket – The West Wing, Civil War Edition In today’s Hollywood, there aren’t many directors whose names are trademarks. “A Martin Scorsese movie” doesn’t have the meaning that “an Alfred Hitchcock movie” used to have; David Fincher’s name doesn’t promise the same kind of specific entertainment that John Ford’s once did. […]
There can’t be very much quibbling about the selection of Ryan Coogler’s very impressive debut film FRUITVALE as tonight’s winner of both the Sundance Dramatic Competition Jury Prize and the Audience Award. (Personally I might have gone with Emanuel and the Truth About Fishes–which didn’t win anything tonight–but Fruitvale would have been close behind.) Coogler, who […]
PAIN AND GAIN: Watch It At Home – Michael Bay On a Small Scale is Still Michael Bay There’s an almost meta strain that runs through Michael Bay’s PAIN AND GAIN, and you have to wonder, watching it, how much Bay was conscious of the fact that his customary musclebound, bloated, meatheaded style of […]