THE LUCKY ONE:  Watch It At Home – Not If The One Is In The Audience   Zac Efron has been working out, and he wants you to know it.  Efron’s new biceps and abs are on frequent display in THE LUCKY ONE, often shiny with sweat and otherwise photographed by director Scott […]

  THE ODD LIFE OF TIMOTHY GREEN:  Not At Any Price – Should Have Been Pruned   When Disney decided to make THE ODD LIFE OF TIMOTHY GREEN, it probably shouldn’t have put the word “odd” in the title.  Although I suppose it’s preferable to “weird” or “mildly creepy.” Timothy Green is the story of […]

  LOOPER:  Worth A Ticket – Maybe Too Enthralling For Its Own Good   Rian Johnson’s most salient trait as a filmmaker may be a tendency to get carried away.  His first film, Brick, was a high school film noir so shrouded in mock-tough guy dialogue and exhaustively detailed mood that it forgot to tell […]

  STOKER is the kind of swank, elegant horror movie we don’t see very often in these days of unkillable chainsaw-wielding serial killers who make awful use of human remains.  It’s chilling, more than a little crazy, and also borderline silly, all of which are part of the fun. The film is the first English-language project […]

  OLYMPUS HAS FALLEN:  Watch It At Home – Better Luck in June In Hollywood’s grand tradition of 2 movies about volcanoes, 2 about Snow White, 2 about Christopher Columbus and 2 about Truman Capote, this year we’re getting a pair of terrorist attacks on the White House, each foiled by a heroic Secret Service […]

  THE CONJURING:  Worth A Ticket – Retro Horror, In A Good Way Watching The Exorcist recently, for the first time in probably a decade, the most striking thing about it was its insistence on a palpable, sometimes documentary-like reality.  Director William Friedkin moved the film at a measured, even slow pace, only gradually raising […]

  LONE SURVIVOR:  Buy A Ticket – A Powerfully Visceral Tale of War Peter Berg’s LONE SURVIVOR, which was shown at the AFI Film Festival tonight in advance of its release late next month, is a docudrama in the truest sense:  based on the memoir by Navy SEAL Marcus Luttrell, it exists with one aim […]

  For SHOWBUZZDAILY’s full set of Sundance capsule reviews, click here.   What kind of filmmaker does Mona Fastvold want to be?  It’s an existential question that comes up often at Sundance, where artistic and industry cred are often judged at the same time.  THE SLEEPWALKER, Fastvold’s first film as director and (with Brady Corbet, […]