A GOOD DAY TO DIE HARD:  Not Even For Free – Yippee-Ki-Boo As part of its promotion campaign for the new A GOOD DAY TO DIE HARD, 20th Century Fox is holding a day-long series of Die Hard marathons around the country, culminating in the opening night screening of the latest chapter in the […]

  IDENTITY THIEF:  Watch It At Home – Star Power Makes This Rote Comedy Look Better Than It Is IDENTITY THIEF is basically a string of contrivances, which makes it not all that different from most big-studio comedies these days.  The story arc traces all the way back to the screwball comedies of the 1930s […]

  SIDE EFFECTS:  Watch It On TV – Soderbergh’s Final Big-Screen Film (For Now) Isn’t His Best Steven Soderbergh’s announcement that with SIDE EFFECTS, his career as a director of movies produced to play in theaters has–at least for now–come to an end is sad news for moviegovers.  (Soderbergh still has an HBO biography of […]

  The old truism that Park City empties out during the second half of the Sundance Film Festival, making it possible to see all the hot titles that premiered at the festival’s start, is far less true than it used to be.  It was impossible to get into the festival’s big buy, The Way, Way […]

It’s a cliche to say, when a director of commercials and music videos helms his or her first feature film, that the result resembles a video extended to feature length–and certainly not one that’s always true, as the debuts of, among others, Ridley Scott (The Duellists) and David Fincher (Alien 3) have shown.  But cliches […]

  Toy’s House wasn’t the only movie at this year’s Sundance about boys fending for themselves.  THE INEVITABLE DEFEAT OF MISTER AND PETE depicts a less voluntary version of the effort to keep going without adults, set in a much more hostile environment.  George Tillman Jr’s film, written by Michael Starrbury, is set in a […]

  It just wouldn’t be a film festival without something from Michael Winterbottom.  Winterbottom isn’t at the very top of the film director pantheon, but he’s respected enough that his projects have been in near-constant festival demand for most of his two decade-long career, and one way or another they tend to be included in […]

  TOUCHY FEELY offers the gifted writer/director Lynn Shelton taking herself very, very seriously for the most part.  It turns out to be a less effective mode for her than those of her recent small-scale comedies Humpday and Your Sister’s Sister, which had marvelously well-judged tones.  (In her more mainstream work, she recently directed a […]