BLACK AND WHITE – no current US distributor or release date – Not Even For Free BLACK AND WHITE was reportedly drawn from events in its writer/director Mike Bender’s own life, which makes it remarkable, on some bizarro level, that every single element of Binder’s script feels false and contrived.  Binder has been a […]

> One of the enduring questions of Madonna’s illustrious quarter-century career is how someone so brilliant in managing every other facet of her persona has consistently made such terrible decisions when it comes to movies.  It’s the one medium where she’s never succeeded, and even when she’s occasionally done something right, she instantly follows it […]

  MACHINE GUN PREACHER:  Watch It At Home –  A True Story Rings False   MACHINE GUN PREACHER simply isn’t good enough for the story it wants to tell. And the story, a true one, is remarkable:  Sam Childers (played by Gerard Butler in the film) was a drug addict and violent criminal who found […]

  NIGHTCRAWLER (Open Road) – Opens October 31 – Worth A Ticket Over the past few years, Jake Gyllenhaal has seemed determined to scrub the wholesomeness out of his screen image, in movies like Zodiac, Brothers, End of Watch and Prisoners.  He achieves true creep-ness in NIGHTCRAWLER, which premiered at the Toronto Film Festival before […]

> The Toronto Film Festival has announced its second helping of titles for next month’s worldwide gathering of film professionals and fanatics.  These may be less star-studded than the last group of films announced, but there are still quite a few intriguing titles.  As part of our continuing coverage of the movie awards season that, […]

    OUR IDIOT BROTHER – Watch It At Home:  Sitcom On A Big Screen   Although it premiered at Sundance, OUR IDIOT BROTHER was an “independent film” only in a technical sense:  it was produced on a relatively low budget and didn’t have US distribution in place.  (Harvey Weinstein picked it up at the […]

  THE PURGE:  Watch It At Home – Dopey, Violent Allegory Nevertheless Packs a Punch THE PURGE is heavy-handed, borderline reprehensible nonsense–but that’s not to say it doesn’t work.  James DeMonaco’s trim (85 minutes, including credits) thriller is set in 2022, when virtually all crime and unemployment has been wiped out in a newly-restored United […]

    FRIENDS WITH BENEFITS – Worth A Ticket:  Almost Great   For about an hour, as you watch his new FRIENDS WITH BENEFITS, you could be forgiven for thinking that writer-director Will Gluck is the future of Hollywood romantic comedy.  Gluck came out of TV with the very underrated Fired Up, about a pair […]