THE SURVIVOR (no distrib):  So many films and television productions have tackled the subject of the Holocaust over the decades that it takes real effort to break through with a story that feels fresh.  Barry Levinson’s The Survivor is his strongest film in years, and it manages to have an impact.  The script by […]

  REBEL IN THE RYE (no distrib):  Danny Strong’s first film as a director is a biography of J. D. Salinger (Nicholas Hoult), and it hits all the Salinger bullet points:  his early struggles to get published, his spectacularly doomed romance with legendary playwright’s daughter Oona O’Neill (he lost her to Charlie Chaplin), his difficult […]

  THE WOLVERINE:  Watch It At Home – The Clawed Superhero’s Latest is Distinctive But Unthrilling THE WOLVERINE, wanting to be both more and less than a typical superhero spectacle, demonstrates the perils of messing with the formula.  James Mangold’s film, with a script credited to Mark Bomback and Scott Frank, has the worthy aim […]

>   Watch It At Home:  That’s MR. Spielberg To You JJ Abrams’ SUPER 8 is the Beatlemania of Steven Spielberg movies.   Abrams is no doubt absolutely genuine in his reverence for classics from the 1970s and 80s like Jaws, Close Encounters, ET, Poltergeist and The Goonies, all produced or directed by the master–Abrams […]

  NEW YEAR’S EVE:  Not At Any Price – Calling it a “Sit-Com” Insults TV   NEW YEAR’S EVE is such a calculated piece of commercial manufacture that it deserves a Powerpoint presentation more than a review.  Although strictly speaking it isn’t a sequel to Valentine’s Day (and in fact a few of the same […]

  THIS IS 40 – Watch It At Home – Judd Apatow’s Midlife Crisis Comedy-Drama is Both Ambitious and Bland As Judd Apatow has matured as a filmmaker, he’s staked out a piece of territory that’s original but not necessarily workable:  he wants to be both the Paul Mazursky and the John Cassavetes of sitcom showrunners. Although […]

  mother! (Paramount – Sept 15):  It may come as a shock to people who have been following the marketing for Darren Aronofsky’s mother! to find out that it isn’t a horror movie at all.  It uses thriller grammar from time to time, and in the early going you might think you’re going to see […]

> Not Even For Free Let’s give a little love to the devious people at Universal who cut the trailers.  The masterminds behind the red-band for YOUR HIGHNESS managed to find, in its 102 dull minutes, roughly 3 and a half that, when cut together with fiendish skill, suggested the movie had actual laughs.  Bow […]