With the notable exception of Friday Night Lights, Hollywood has rarely even attempted a serious depiction of life in the American heartland in recent years.  More often, the center of the country is a setting for stories of random violence or bland, heartwarming family values.  In his fourth feature film, AT ANY PRICE, director Ramin Bahrani, […]

  GLASS ONION (Netflix – November 4 in theaters, December 23 online):  After Rian Johnson’s Knives Out broke through to become one of the increasingly few non-IP-based mainstream hits in the market ($311.6M worldwide), Netflix moved aggressively to buy out the franchise, reportedly paying $450M for the next 2 crime-solving adventures of detective Benoit Blanc […]

> Worth A Ticket:  Superheroes Behind the Camera, Too. The most substantial movie of the summer so far is, depending on how you calculate, the fifth in a comic book series, a prequel or a reboot.  X-MEN:  FIRST CLASS arrives with its own secret weapons, namely a smart script, a well-chosen cast, some genuine thematic […]

  BOY ERASED (Focus/Universal – November 2):  Joel Edgerton’s film is the second of the year concerning gay conversion therapy, and its tone is far more conventional than The Miseducation of Cameron Post.  Lucas Hedges plays Jared Eamons (this is a fictionalized version of a true story), son of southern pastor Marshall (Russell Crowe) and […]

  GROWN UPS 2:  Not Even With A Gun To Your Head – Is It Time For the Razzies Yet? One can’t lightly dismiss Adam Sandler.  After the first Grown Ups, it seemed implausible that he could make a movie even worse, but in quick succession he churned out the truly unspeakable Jack & Jill […]

    THE THING:  Watch It At Home – Not Interesting Enough To Be Scary   The third movie iteration of THE THING is as impersonal as the creature it’s about.  This version, the first feature directed by Matthijs van Heijningen Jr and with a script credited to Eric Heisserer (he wrote the remake of […]

  Less intimate but perhaps even more irresistible than his micro-indie smash Once, John Carney’s follow-up CAN A SONG SAVE YOUR LIFE? plays a similar tune with broader orchestrations.  The city this time is New York rather than Dublin, and the focus is again on two people enraptured by the possibilities of music. Greta (Keira Knightley) has come […]

  SHIRLEY (no distrib):  Josephine Decker’s film isn’t really a biography of the horror writer Shirley Jackson (The Haunting of Hill House, The Lottery), played here by Elizabeth Moss.  The script by Sarah Gubbins is based on a novel by Susan Scarf Merrell loosely inspired by Jackson’s life, and that fictional story has been changed […]