STATE OF THE UNION (Sundance Channel):  The lines between narrative visual media continue to blur, and State Of the Union is an A-list talent contribution to a genre that doesn’t exactly exist yet.  It’s a story told in ten 10-minute episodes, all of them written by the novelist and screenwriter Nick Hornby and directed […]

  SAVAGES:  Watch It At Home – Great Book, OK Movie Don Winslow’s novel SAVAGES is one of the extraordinary reads of recent years.  The plot may sound unremarkable–a mini-war is waged between a couple of Orange County drug dealers and a Mexican cartel–but the words “gripping” and “page-turning” don’t do justice to Winslow’s prose, […]

THE WILD ROBOT (DreamWorks Animation/Universal – Sept. 27):  Chris Sanders’s movie is a fairly captivating if unsurprising family entertainment.  In the future, when a plane with a cargo of robots crashes off the coast of an island, the survivor is Rozim 7134 (voiced by Lupita Nyong’o)–you can call her Roz.  She’s programmed to aid humans, […]

  MAYDAY:  The fantasy whatzit is a Sundance staple, and Mayday fits into that category.  (Paradise Hills was a recent example from a past festival.)  Ana (Grace Van Patten), short for Anastasia, is an ignored and abused waitress who finds herself swimming through a portal to what turns out to be an otherwise deserted island […]

  DIVERGENT:  Watch It At Home – Not Hungry Enough The film of DIVERGENT, even more than Veronica Roth’s YA-franchise source novel, is determined to resemble The Hunger Games as much as any movie can that’s telling a different story with a different set of characters.  (Not an illogical thing to do, considering that the […]

  DEAD MAN DOWN:  Watch It At Home – Effectively Moody Tale of Revenge Until its final reel, when it arrives pretty much where you thought it was going to go from the very start, and in a way even dumber than you expected, DEAD MAN DOWN is a surprisingly rich B-movie in a movie […]

> FRIENDS WITH KIDS:  Worth A Ticket – Sitcom, In A Good Way We live in a pop culture where the recent Emmy Award nominees are so clearly superior to the films up for this past year’s Oscar that it’s not even worth arguing about. (Mad Men vs The Artist?  Game of Thrones vs The […]

  The director Denis Villenueve has been staking out some interesting Hollywood territory for himself.  His new SICARIO, which debuted at Cannes and screened at the Toronto Film Festival prior to arriving in theatres next week, is, like his previous Prisoners, a serious adult thriller that demands audience attention and doesn’t compromise its dramatic principles, […]