THE FIVE-YEAR ENGAGEMENT:  Watch It At Home – If Only The Engagement Were A Little Shorter…   Judd Apatow, as both director (The 40=Year Old Virgin, Knocked Up) and producer (Bridesmaids, Superbad, Pineapple Express, TV’s new Girls) has brought a tremendous amount of first-class comedy to large and small screens in recent years.  But […]

  THE THREE STOOGES:  Watch It At Home – More Nyuks Than You’d Expect   The Farrelly Brothers’ THE THREE STOOGES is better than its marketing campaign let on, and while that would be more impressive if the trailer and ad materials hadn’t been almost unwatchably bad, it still makes for a welcome relief.  The […]

> I write this as a fairly obsessive fan of Stanley Kubrick, back since I desperately wanted to see A Clockwork Orange in its original X-rated release but was too young to get in. So the very idea of ROOM 237, a feature-length film by Rodney Ascher constructed of the theories and interpretations that have […]

  JOKER (Warners – October 4):  One’s perception of Todd Phillips’ JOKER may depend in part on the context in which one sees it.  In the 11 years since Christopher Nolan’s The Dark Knight, the MCU has taken over not just Hollywood’s financial heart but the very tone and definition of the comic-book genre.  The […]

  Zach Braff’s WISH I WAS HERE, his first film as a writer-director since Garden State 10 years ago, mixes genuine, deeply-felt emotion with the kind of contrivances that would grate even on a second-rate sitcom.  (This week’s episode:  Dad tries to homeschool the kids!  And Uncle Jonah wears a costume to Comic-Con just to […]

  DON’T BE AFRAID OF THE DARK – Not Even For Free:  No, Really–Don’t Be Afraid     FilmDistrict has gone out of its way to identify co-writer/co-producer Guillermo del Toro with DON’T BE AFRAID OF THE DARK, to the extent that from the marketing, one could easily fail to realize that the movie is […]

  Back when Stanley Kubrick still planned to direct the film that became AI: Artificial Intelligence, he famously toyed with the idea of shooting it bit by bit over a period of years, so that the young protagonist would literally age on screen.  Now Richard Linklater, the most unKubrickian of filmmakers, has done exactly that with BOYHOOD, […]

  IN THE SUMMERS (no distrib):  The winner of the Jury Prize in the US Dramatic Competition is a somewhat prototypical Sundance drama.  Alessandra Lacorazza Samudio’s semi-autobiographical story depicts four summers over about a decade spent by Eve and Violeta, children of divorce (played by various actors, culminating with Sasha Calle and Lio Mehiel) with […]