21 JUMP STREET:  Watch It At Home – High School Meta-Bromance   The meta-ization of contemporary comedy marches on:  Community, of course, is a virtual meta-kingdom, but Happy Endings makes Friends jokes, this week’s 30 Rock undercut what appeared to be its own sentimental ending with jokes poking at viewers who might like sentimental […]

> FRIENDS WITH KIDS:  Worth A Ticket – Sitcom, In A Good Way We live in a pop culture where the recent Emmy Award nominees are so clearly superior to the films up for this past year’s Oscar that it’s not even worth arguing about. (Mad Men vs The Artist?  Game of Thrones vs The […]

> JOHN CARTER:  Watch It At Home – Never Goes Into Orbit All signs suggest that JOHN CARTER will be a financial failure of historic proportions, mostly because of its colossal cost (Disney admits to $250M, which almost certainly means close to $300M when reshoots and last-minute CG are included–and that doesn’t count the $100-150M […]

    FRIENDS WITH KIDS:  Worth A Ticket – Sitcom, In A Good Way   We live in a pop culture where the recent Emmy Award nominees are so clearly superior to the films up for this past year’s Oscar that it’s not even worth arguing about. (Mad Men vs The Artist?  Game of Thrones […]

      JOHN CARTER:  Watch It At Home – Never Goes Into Orbit   All signs suggest that JOHN CARTER will be a financial failure of historic proportions, mostly because of its colossal cost (Disney admits to $250M, which almost certainly means close to $300M when reshoots and last-minute CG are included–and that doesn’t […]

> SILENT HOUSE:  Watch It At Home – A Curiosity SILENT HOUSE isn’t the first feature-length film to provide the illusion that it’s all been shot in a single continuous take.  The most famous was Hitchcock’s Rope, but in his era, it was technologically impossible to actually shoot for 90 minutes straight, because rolls of […]

      SILENT HOUSE:  Watch It At Home – A Curiosity   SILENT HOUSE isn’t the first feature-length film to provide the illusion that it’s all been shot in a single continuous take.  The most famous was Hitchcock’s Rope, but in his era, it was technologically impossible to actually shoot for 90 minutes straight, […]

    THE LORAX:  Not Even For Free – A Seussian Mess   It may not be pretty, but surely it’s true–Credit must go where credit is due.  In this case, that means the Universal Pictures Marketing Department, which as it turns out has done a splendid job these last few weeks of hiding just […]