BEING FLYNN:  Watch It At Home – Troubling Story That Doesn’t Go Deep Enough   There’s a scene in Paul Weitz’s new film BEING FLYNN where Jonathan Flynn (Robert DeNiro), the alcoholic, narcissistic, pitiful, self-destructive father of Nick (Paul Dano), reads to his son from a publisher’s rejection letter.  Jonathan sees himself as […]

  WRITERS is considered an “independent” movie because it was made without big-studio financing and because its stars (Greg Kinnear, Jennifer Connelly, Kristen Bell) are familiar faces, but not at the level that sell tickets strictly on the basis of their names.  Beyond those business considerations, though, Josh Boone’s debut feature is as safe and predictable […]

  DJANGO UNCHAINED – Worth A Ticket – Pre-Civil War American History 101 With Professor Tarantino Quentin Tarantino is, when you think about it, the most successful avant-garde filmmaker in Hollywood.  His triumph is that although his films are as idiosyncratic and unique as, say, those of the Andersons Wes and Paul Thomas or of […]

  Toy’s House wasn’t the only movie at this year’s Sundance about boys fending for themselves.  THE INEVITABLE DEFEAT OF MISTER AND PETE depicts a less voluntary version of the effort to keep going without adults, set in a much more hostile environment.  George Tillman Jr’s film, written by Michael Starrbury, is set in a […]

  MONSTERS UNIVERSITY:  Watch It At Home – No Dean’s List For Pixar’s Latest There’s a wonderfully charming, imaginative Pixar movie opening on Friday, one that will restore your faith in the studio’s near-miraculous ability to give life and personality to the most unlikely objects (here including a parking meter and a Walk/Don’t Walk light, […]

  A film festival is certainly the place for a feature-length semi-linear flow of unscripted dialogue and bizarre imagery if anywhere is, so welcome to UNDER THE SKIN.  The writer/director Jonathan Glazer has gradually been transforming into an abstract filmmaker:  he started with Sexy Beast, which was a fairly traditional narrative, then followed it with Birth, a piece […]

  Kate Barker-Froyland’s directing debut SONG ONE is so wispy and insubstantial that the bytes making up its digital images seem barely capable of adhering to a screen.  Clearly influenced by John Carney’s mini-musical Once, it makes Carney’s film look like an Andrew Lloyd-Webber spectacle by comparison. Barker-Froyland also wrote the minimal script, which almost exhausts its resources […]

  HOW TO TRAIN YOUR DRAGON 2:  Worth A Ticket – Bigger Isn’t Always Better, But Still Good Enough Like a lot of sequels animated and not, HOW TO TRAIN YOUR DRAGON 2 has been conceived on a much more spectacular scale than its predecessor, and as it’s become a bigger and more conventional action-adventure, […]