THE CABIN IN THE WOODS:  Watch it At Home – Clever and Culty   Seeing THE CABIN IN THE WOODS is sort of like being in Fight Club:  the first rule is not to talk about it.  Or, at least, not to reveal any of the wild, ingenious twists put into place by its […]

  THE CAMPAIGN:  Not At Any Price – Abstain THE CAMPAIGN, like many a politician before it, tries to be all things to all people, and winds up delivering almost nothing. There was reason to be hopeful about The Campaign, mostly because its director, Jay Roach, seemed to embody exactly the mix the movie was […]

  TROUBLE WITH THE CURVE:  Worth A Ticket – Another Late Autumn Role for Clint Think of TROUBLE WITH THE CURVE as Million Dollar Baby Lite.  Again we have the cranky older man (Clint Eastwood, this time a baseball scout instead of a boxing trainer) dealing with a feisty, stubborn young woman (Amy Adams as […]

  BROKEN CITY:  Watch It At Home – Wahlberg and Crowe In An Intriguing But Too Simplistic Thriller Studios love nothing better than predictability, so since Mark Wahlberg had a tidy January hit last year with Contraband, it was no surprise when Fox slotted his new thriller BROKEN CITY for the same weekend in 2013.  […]

  DEAD MAN DOWN:  Watch It At Home – Effectively Moody Tale of Revenge Until its final reel, when it arrives pretty much where you thought it was going to go from the very start, and in a way even dumber than you expected, DEAD MAN DOWN is a surprisingly rich B-movie in a movie […]

  RED 2:  Watch It At Home – Less Fizz in the Drink This Time The first RED was a disarming surprise, a rom-com action adventure about retired but very lethal spies as bubbly as it was explosive.  It made almost $200M at the worldwide box office, and while that’s not quite Expendables money ($274M […]

  VERONICA MARS:  Watch It At Home – Still a TV Show, For Better and Worse It was probably impossible for the movie of VERONICA MARS to live up to the story of how it came to be made.  That’s an epic, decade-long saga, which began when the TV series, critically praised but never a […]

  The title ZIPPER suggests something wittier and more enticing than Mora Stephens’ well-made melodrama turns out to be.  If a filmmaker is determined to reexamine the familiar story of a politician who can’t control his own personal excesses, some kind of new take or distinctive angle is advisable, but Stephens and her co-writer Joel Viertel […]