But for one unfortunately critical element, Logan and Noah Miller’s SWEETWATER (the brothers rewrote a script originally by Andrew McKenzie) is a highly enjoyable darkly comic western, as subsumed in stylized movie traditions (and their subversion) as a Tarantino movie, but without Tarantino’s post-modern stew of references. Sweetwater is your basic frontier town, half-way to Santa […]

  OBLIVION:  Worth A Ticket – Dramatically Uneven, But Visually Spectacular OBLIVION is amazing to look at.  Even though it takes place in the same post-apocalyptic landscape where movie and TV audiences seem to spend most of their time these days, the director Joseph Kosinski and his cinematographer Claudio Miranda (he just won the Oscar […]

  It’s not really a surprise to see Alfonso Cuaron join James Cameron, Martin Scorsese and Ridley Scott in that small group of film artists who have made 3D part of the essential toolbox of their imagery (no, Baz Luhrmann and Guillermo del Toro don’t make the list, although Michael Bay might).  Cuaron is a […]

  FROZEN:  Buy A Ticket – Your Grin Won’t Melt Until It’s Time to Leave A curious shift has been occurring at Disney over the past few years.  Glamor child Pixar has been churning out second-hand blockbusters like Cars 2, Brave and Monsters University, while the comparatively overlooked Disney Animation unit (both are overseen by […]

  NEED FOR SPEED:  Watch It At Home – Not Enough Fuel If there was ever a movie that didn’t need to be over 2 hours long, the relatively unpretentious NEED FOR SPEED was it.  Action movies these days too often feel like they have to be epics, loaded with backstory and climactic showdowns that […]

  BLACKHAT:  Not Even For Free – One of Michael Mann’s Worst Michael Mann has become a filmmaking vampire; he sucks the blood out of promising projects.  His new, seemingly up-to-the-minute computer hacking thriller BLACKHAT, following his problematic Miami Vice film and Public Enemies (as well as the pilot for HBO’s Luck) is once again his trademark kind […]

  THE LAST WORD (Bleecker Street):  Shirley MacLaine does the irascible codger thing.  She’s smart enough not to overplay the very familiar hand she’s been dealt by screenwriter Stuart Ross Fink and director Mark Pellington, but still there’s little here we haven’t seen many times before.  Harriet Lauler (MacLaine), while a holy terror to everyone […]

  WIDOWS (20th – Nov. 16):  Widows is a genre movie that isn’t sure it wants to be one.  That’s not a shock, because the idea of the aesthete director Steve McQueen, of Hunger, Shame and 12 Years A Slave renown, toiling in the land of Ocean’s 8 seemed odd from the start.  And for […]