Film Festival

SHOWBUZZDAILY Sundance Reviews: “The Father,” “Nine Days” & “The Glorias”

Posted February 2, 2020 by Mitch Salem

  THE FATHER (Sony Classics – TBD):  It’s probably foolhardy to start making predictions about next year’s Oscars when this year’s haven’t even been handed out yet, but it’s hard to imagine a scenario where Anthony Hopkins’s performance in The Father won’t be a major part of the Best Actor conversation.  It’s a showcase role, […]

Full Story »

Film Festival

ShowbuzzDaily Sundance 2022 Reviews: “Nanny,” “Good Luck To You, Leo Grande” & “Resurrection”

Posted January 22, 2022 by Mitch Salem

  NANNY (no distrib):  Think Netflix’s Maid, but as a (sort of) horror movie.  Aisha (Anna Diop) is an undocumented Senegalese immigrant in New York who works as a nanny for the daughter of a well-off couple, Amy (Michelle Monaghan) and Adam (Morgan Spector), in order to earn money she can send to her young […]

Full Story »

Film Festival

Toronto Film Festival Reviews: “The Zone Of Interest,” “Expats” & “Finestkind”

Posted September 14, 2023 by Mitch Salem

  THE ZONE OF INTEREST (A24 – TBD):  Jonathan Glazer has only directed 4 feature films in his 23-year career (the most recent was Under the Skin a decade ago).  His latest, The Zone of Interest, is a work of formal brilliance, although unlikely to be to the taste of mainstream audiences.  So rigorous and painstaking in its […]

Full Story »

Current Release

AFI FEST Film Review: “Inside Llewyn Davis”

Posted November 15, 2013 by Mitch Salem

  INSIDE LLEWYN DAVIS:  Buy A Ticket – 1960s Folk Music A La The Coens INSIDE LLEWYN DAVIS, which screened as the Closing Night presentation of the AFI Film Festival in advance of its regular run next month, is Joel and Ethan Coen in their enigmatically allegorical mode, but unlike its more overtly stylized predecessors Barton […]

Full Story »

 
 
 
 
 
Action

THE SHOWBUZZDAILY REVIEW: “Silent House”

Posted March 8, 2012 by Mitch Salem

> SILENT HOUSE:  Watch It At Home – A Curiosity SILENT HOUSE isn’t the first feature-length film to provide the illusion that it’s all been shot in a single continuous take.  The most famous was Hitchcock’s Rope, but in his era, it was technologically impossible to actually shoot for 90 minutes straight, because rolls of […]

Full Review »