> Sundance changed the way it kicks things off this year. Instead of a single high-profile Opening Night Film (which has almost always turned out to be a disappointment), the festival screened several smaller films. For those of us who arrived before the madness begins in earnest tomorrow, there was the chance to get Wait […]

  HORRIBLE BOSSES – Watch It At Home:  Doesn’t Earn A Raise   A comedy can get away with not being very good as long as it’s funny, and HORRIBLE BOSSES delivers some laughs.  Most of those come from the chemistry between stars Jason Bateman, Jason Sudeikis and Charlie Day, and since the funniest bits […]

  THE BIG YEAR:  Watch It At Home – Very Small Pleasures   THE BIG YEAR is an amiable, good-natured comedy that’s so insubstantial it seems to fly out of your memory even as you’re watching it.  If it had been a low-budgeted indie that turned up at a film festival, it might have felt […]

  In 2007, Julie Delpy wrote, directed and co-starred in 2 Days In Paris, a romantic comedy-drama featuring Adam Goldberg and herself as a couple who lived in NY and visited the title city for a tumultuous visit with her character Marie’s family.  Paris was only a moderate art-house success in the US ($4.4M), but […]

  PROMETHEUS:  Worth A Ticket – For the Visual Splendor, Not the Plot   Expectations were undoubtedly too high for PROMETHEUS.  The Alien franchise (and notwithstanding Ridley Scott and co-writer Damon Lindelof’s hemming and hawing on the subject, it’s utterly clear that Prometheus is nothing but a prequel entry in the franchise) has never been […]

  ALEX CROSS – Not At Any Price – A Pilot For A Show You Wouldn’t Watch ALEX CROSS is as generic as a cop movie can be–it’s a few commercial breaks away from airing on CBS or TNT–but there’s been a certain fascination about it since it was announced that the lead role would […]

  The screenplay for THE SPECTACULAR NOW, a Dramatic Competition entry at Sundance, was written by the team of Scott Neustadter and Michael H. Weber, who also wrote (500) Days of Summer, but the new film has none of the breezy and somewhat gimmicky visual style of that hit.  Director James Ponsoldt, instead, goes to the […]

  TRANCE:  Watch It At Home – Tricky But Unsatisfying Thriller From Danny Boyle TRANCE is both extremely clever and remarkably stupid.  I wish I could explain exactly how, but Danny Boyle’s thriller, written by John Hodge and Joe Ahearne, has the kind of story that piles reversals on twists on reveals, so there’s not […]