> JOHN CARTER:  Watch It At Home – Never Goes Into Orbit All signs suggest that JOHN CARTER will be a financial failure of historic proportions, mostly because of its colossal cost (Disney admits to $250M, which almost certainly means close to $300M when reshoots and last-minute CG are included–and that doesn’t count the $100-150M […]

  LES MISERABLES – Worth A Ticket – One Day More Finally Arrives In light of some of the early reactions, perhaps the most important thing to note about LES MISERABLES the film is that it is, in fact, the film of Les Miserables–and so, yes, bombastic voices raised in song and unfettered melodrama are the order of the day. […]

  SAVING MR. BANKS:  Buy A Ticket – Positively Supercalifragelisticexpialidocious SAVING MR. BANKS , which screened at the AFI Film Festival in Los Angeles last night before opening in theaters next month, is a moviegoer’s dream of Hollywood popular art, superbly melding history, personality, humor, sentiment and glitz with little fault or sign of strain.  […]

  PEOPLE LIKE US:  Watch It At Home – Not The First Movie Like This   Sam Harper (Chris Pine) is a guy we’ve met before.  He’s the fast-talking, self-absorbed hustler who gets along in life by sheer nerve, and doesn’t really care about anyone else.  He needs to open himself up to the problems […]

  SILVER LININGS PLAYBOOK:  Don’t Get Sold Out – A Rom-Com With Dance Moves All Its Own Anyone who doubts that Jennifer Lawrence is a real-thing, big-time movie star should get thee hence to a theater showing SILVER-LININGS PLAYBOOK, opening today in limited release and gradually spreading across the through through the holiday (and awards) […]

  LINCOLN:  Worth A Ticket – The West Wing, Civil War Edition In today’s Hollywood, there aren’t many directors whose names are trademarks.  “A Martin Scorsese movie” doesn’t have the meaning that “an Alfred Hitchcock movie” used to have; David Fincher’s name doesn’t promise the same kind of specific entertainment that John Ford’s once did.  […]

  There can’t be very much quibbling about the selection of Ryan Coogler’s very impressive debut film FRUITVALE as tonight’s winner of both the Sundance Dramatic Competition Jury Prize and the Audience Award.   (Personally I might have gone with Emanuel and the Truth About Fishes–which didn’t win anything tonight–but Fruitvale would have been close behind.)  Coogler, who […]

  PAIN AND GAIN:  Watch It At Home – Michael Bay On a Small Scale is Still Michael Bay There’s an almost meta strain that runs through Michael Bay’s PAIN AND GAIN, and you have to wonder, watching it, how much Bay was conscious of the fact that his customary musclebound, bloated, meatheaded style of […]