There was a time when BONES was a breath of fresh TV air.  When it arrived in 2005, the networks were deep into Peak Grim Procedural mode, as shows like CSI, Criminal Minds and NCIS thrived and spawned seemingly endless spin-offs.  Bones pumped some changes into the format, adding rom-com, screwball comedy, warmth and […]

  ORPHAN BLACK:  Saturday 10PM on BBCAmerica A somewhat meta line of dialogue about “consolidation” is a sign that ORPHAN BLACK has commenced its final (and 5th) season.  Series creators Graeme Manson and John Fawcett (Manson is credited as writer of the season premiere, Fawcett as director) have started to move their pieces toward the […]

  The seventh season of HBO’s blockbuster GAME OF THRONES, its most watched and in some ways most confounding, was shaped by two outside factors, and possibly a third.  Series creators David Benioff and D.B. Weiss, having outrun the completed portion of George R. R. Martin’s series of novels, were in total control of the […]

  COME SUNDAY (Netflix):  American films that feature religious figures tend to come in two varieties:  the cloying “faith-based” dramas that play quite literally to the choir, and the “edgy” films in which the supposedly pious are revealed to be hypocritical and often evil frauds.  Joshua Marston’s Come Sunday is a rarity, a film that […]

  CAMPING:  Sunday 10PM on HBO Although HBO’s new comedy CAMPING is set in the great outdoors, it has the dynamics of a filmed play.  The concept is simple:  throw a number of mismatched characters together in a confined area, and watch them rub each other the wrong way.  In this case, the occasion is […]

  BILLIONS:  Sunday 9PM on Showtime The fourth season of a successful series can be an inflection point.  By the time Season 4 begins, the show’s makers know what works, but it’s still early enough that the talent isn’t beginning to itch for their next big things.  It’s easy enough to glide along the path […]

  HUSTLERS (STX – September 13):  Lorena Scafaria becomes the latest filmmaker failing to ascend Martin Scorsese Mountain.  Her Hustlers wants to be Goodfellas in its marrow, not only in its based-on-a-true-story tale of New York criminals who ride high and then go down, but in its structure of interspersing dispassionate after-the-fact narration with the […]

  THE FORGIVEN (Focus/Universal – TBD):  In 1963, Pauline Kael famously wrote a piece entitled “The Sick-Soul-Of-Europe Parties,” and almost 60 years later, if you add the US to the guest list, John Michael McDonagh’s The Forgiven presents a bash in the same vein.  McDonagh’s script, based on a novel by Lawrence Osborne, underlines in […]