Not At Any Price:  “Art” More Than Art   The name Monte Hellman doesn’t mean much to the vast majority of moviegoers, but Hellman is among the cultiest of American cult directors.  He came up the Roger Corman path in the 1960s with Jack Nicholson and Dennis Hopper (his films from that era include The […]

    THE IDES OF MARCH:  Watch It At Home – An Excellent Play Becomes a Merely Good Movie   The Ides of March, one of the most eagerly awaited of this year’s festival crop, is more entertaining than it is good. Oddly both low-key and melodramatic, claptrap and high-minded drama, it represents a series […]

    ONE FOR THE MONEY:  Not Even For Free – Another Heigl Misfire   Movie stars are, make no mistake, trademarks.  Consumers who invest in 2 hours of George Clooney or Will Smith expect the same kind of reliable enjoyment that they get from a can of Coke or a pair of Nikes.  And […]

    THE LUCKY ONE:  Watch It At Home – Not If The One Is In The Audience   Zac Efron has been working out, and he wants you to know it.  Efron’s new biceps and abs are on frequent display in THE LUCKY ONE, often shiny with sweat and otherwise photographed by director Scott […]

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful and otherwise, and critics begin to rear […]

  POLITICAL ANIMALS:  Sunday 10PM on USA – Potential DVR Alert   POLITICAL ANIMALS is a lot more Brothers & Sisters than it is The West Wing, which makes sense because it’s the work of Greg Berlanti, who took over as showrunner on B&S when show creator Jon Robin Baitz wasn’t giving ABC the soap […]

  THE MOB DOCTOR:  Monday 9PM on FOX – Worth A Look   THE MOB DOCTOR may be the busiest pilot of the season.  The idea hatched by creators Josh Berman and Rob Wright (previously of Drop Dead Diva and a host of crime shows, including Bones and Crossing Jordan) is to graft a thriller […]

Stuart Blumberg’s first film as a director (his screenwriting credits include The Kids Are All Right), THANKS FOR SHARING, never quite manages to solve its own central problem:  how to make a sensitive and funny (and not harrowing) movie on the subject of sex addiction. We’ve had the harrowing version, of course, with Steve McQueen’s […]