> Pending the return of The Voice and NBC’s high hopes for Smash, THE OFFICE is the closest thing hte network has to a successful television show.  As the series greets a new hour-mate in Up All Night, let’s take a look at how it’s conducting its business. WHERE WE LEFT OFF:  Andy (Ed Helms) […]

  ARROW: Wednesday 8PM on CW – If Nothing Else Is On It’s Comic-Con week in San Diego, and while we here don’t participate in that particular hullabaloo (waiting for hours just to see a trailer that’s instantly put on the web?  No, thanks), there’s some good coverage here.  What does seem appropriate is to […]

  GRACEPOINT:  Thursday 9PM on FOX starting October 2 – Potential DVR Alert PLAYERS:  Broadchurch, the wildly successful limited (and now continuing) British TV series, of which Gracepoint is a remake.  Broadchurch returnees, including series creator Chris Chibnall, director James Strong and star David Tennant.  A cast surrounding Tennant that includes Anna Gunn, Nick Nolte, […]

  Over the course of its season, NBC’s SHADES OF BLUE muddled its way from being a broadcast network-lite version of a gritty cable cop drama to a more conventional heist thriller.  It was flawed in both contexts, but more able to carry its weight as the latter. The series, created by Adi Hasak, was […]

  Last year, the cop novel “The Whites” was published as the work of Harry Brandt–except that “Harry Brandt” was actually a pseudonym for Richard Price.  This seemed odd at first, because unlike, say, JK Rowling deciding to write detective stories, crime novels were already Richard Price’s bread and butter, in celebrated works of fiction […]

  For a while there, it seemed as though the finale of GRIMM was on a crusade to make sure the show could never be rebooted, massacring almost the entire regular cast one by one, which in an age where IP is more important than anything else would have been a fairly brave move.  But […]

> Watch It At Home:  Scrupulously accurate, to a fault. In an era that so recently gave us “The Kennedys,” possibly the worst piece of pop culture history ever produced for American television, it seems downright rude to criticize Robert Redford’s new film THE CONSPIRATOR for sticking to the facts.  Accuracy and drama, however, are […]

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques shouldn’t be taken as full reviews, but rather as a guide to the general style and content of the […]