ZERO DARK THIRTY:  Worth A Ticket – The Year’s Most Gripping Thriller Is True You already know how ZERO DARK THIRTY ends.  You knew how All the President’s Men ended, too, and Apollo 13 and Titanic.  Great drama doesn’t require M. Night Shyamalan-esque surprise endings, or twisty, tricky narrative structure.  Sometimes the most satisfying […]

> The fundamental problem with LAY THE FAVORITE, Stephen Frears’ new film that premiered last night at Sundance, is that it’s made by people who seem to have little if any interest in gambling. And since this is a movie about the thrill and especially the business of gambling, that means they don’t have any […]

> Michael Scott is really gone.  Technically, that’s been true since a few episodes before the end of THE OFFICE‘s last season, but with tonight’s season premiere, Office 2.0, the most well-publicized reboot of the new season, began to tell us what it’s going to be.   Which is, for now at least, a somewhat jarring […]

  We’re gradually discovering that Steven Soderbergh’s definition of “retirement” from filmmaking is a fairly narrow one.  It was recently announced that he plans to direct a new series for Cinemax, and he has another cable/online series in development.  It appears that the one thing he won’t be doing for the foreseeable future is directing […]

A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover) give plenty of notes, helpful and otherwise, and critics begin to rear […]

    It wasn’t so long ago that the announcement of an epic period love story starring Nicole Kidman and Clive Owen as war correspondent Martha Gellhorn and legendary novelist Ernest Hemingway, directed by Philip Kaufman, the man behind The Right Stuff, The Unbearable Lightness of Being and Henry & June, premiering at the Cannes […]

  “Go big or go home” isn’t a sentiment that’s usually associated with the second year of a successful TV series.  More often, it’s “Do the same thing again,” possibly appended with “… only bigger.”  But Sam Esmail, the creator of MR. ROBOT (and this season, also the director of all its episodes), knows no […]

  ROSEWOOD:  Wednesday 8PM on FOX – If Nothing Else Is On… If there’s one overriding theme running through the network television premieres this fall, it’s their almost defiant lack of ambition.  The Big 4 may be watching their audiences erode and their advertising revenues shrink, they may be besieged by literally hundreds of other […]