ENDER’S GAME:  Watch It At Home – Breaks The Rules, But Doesn’t Win the Game You don’t often see a $110M (plus marketing) YA adventure, intended to kick off a new movie franchise, as resolutely off-putting as ENDER’S GAME, and that’s worthy of some respect.  Its protagonist, Ender Wiggin (Asa Butterfield), isn’t cool like a […]

  SATURDAY NIGHT LIVE usually benefits from having a host with the confident comic talent that Melissa McCarthy brings to the table, but even with a 3-week hiatus in its pocket, the writing staff came up with little that was up to her level.  The result was a very long 90 minutes. Almost everything that […]

  CODE BLACK:  Wednesday 10PM on CBS – Change the Channel CBS’s new CODE BLACK is a mini-film festival of medical show cliches.  It’s set in a notoriously busy emergency room at a Los Angeles hospital, which frequently reaches the point where the patients needing immediate treatment swamp the resources available to treat them–designated “Code […]

  THE RAVEN:  Watch It At Home – Not Much Tell-Tale Heart (Or Brain) Sometimes less-than-great minds think alike, too.  The idea of Edgar Allen Poe as a detective investigating strange phenomena was at the center of ABC’s busted pilot Poe last year (see our pilot report here), but it seems the failure of that […]

    THE WOMAN IN BLACK:  Watch It At Home – Fun, But Creaky As Its Doors   THE WOMAN IN BLACK is so aggressively old-fashioned it sometimes feels like the horror movie version of The Artist.  A haunted house story in the grand style, it may be in color and wide-screen, but its heart […]

  You can take a time-travel journey back to 20th-century network television with LAW & ORDER: SVU, the last remnant of Dick Wolf’s once-behemoth franchise.  Visiting the show for the first time since last fall reveals a few small surprises–Detective Olivia Benson (Mariska Hargitay) has acquired a boyfriend–but for the most part, SVU is very […]

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]

  PERSON OF INTEREST was CBS’s most ambitious and elegantly constructed procedural, and its ratings in other circumstances would have been decent enough to keep it on the air beyond a 4 1/2-season run.  But the TV business changed around it, and marginal ratings can no longer sustain expensive series that don’t permit their networks […]