POLITICAL ANIMALS remained uncompelling to the very end, which is remarkable when you consider that its final episode threw in, among other things, the (apparent) death of the President of the United States.  The show had plenty of suds and political intrigue, and yet it never amounted to more than a pale imitation of other […]

  THE MORTAL INSTRUMENTS: CITY OF BONES –  Not Even For Free –  An Incoherent Compendium of YA Tropes THE MORTAL INSTRUMENTS: CITY OF BONES isn’t so much a movie as it is a mash-up.  They’re all here, crammed into 130 minutes of screen time–Twilight and Harry Potter and Buffy and True Blood and even […]

    I DON’T KNOW HOW SHE DOES IT – Not Even For Free:  You Don’t Want To Know   The recent movie I DON’T KNOW HOW SHE DOES IT most resembles is The Nanny Diaries, which is odd because it was a flop for Harvey Weinstein and The Weinstein Company, and yet Weinstein’s studio […]

> Reviews of some of the more prominent movies in theatres right now: X-MEN:  FIRST CLASS MIDNIGHT IN PARIS THE HANGOVER PART II KUNG FU PANDA 2 THE TREE OF LIFE

  The headlines have all been in PERSON OF INTEREST‘s favor this past season.  As stories of massive worldwide surveillance by the NSA and other agencies have continued to surface, what not so long ago looked like a CBS entry into sci-fi has taken on the feel of just slightly exaggerated reality.  The series itself […]

  HELLO LADIES:  Sunday 10:30PM on HBO HBO sure loves it some Ricky Gervais-ian British comedy.  Apart from his stand-up specials, over the past few years the network has aired Extras, Life’s Too Short and The Ricky Gervais Show, and now, with Gervais in Netflix’s clutches with Derek, it’s resorted to the pseudo-Gervais of the […]

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques shouldn’t be taken as full TV pilot reviews, but rather as a guide to the general style and content […]

  Marc Abraham, for his second film as director (prior to that, he was a veteran producer), has chosen his second consecutive mid-20th-century biography, following 2008’s Flash of Genius with I SAW THE LIGHT, which premiered tonight at the Toronto Film Festival and will open in theatres in November.  The life of country music star […]