>Those interested in the disconnect between old-line film critics and audiences need look no farther than “In Defense of the Slow and the Boring,” a column in today’s NY Times. In it, chief Times critics Manohla Dargis and A. O. Scott each write about the worth of films some find unduly slow-paced, like The Tree […]
> In September, SHOWBUZZDAILY will be attending the Toronto International Film Festival (TIFF, for short). This is the first in an intermittent series of pieces about the experience of TIFF-ing. Every film festival has its own personality and place in the movie calendar. TIFF has become hugely popular and important, especially in the last decade, […]
> Haven’t all the jokes been made? In the history of Broadway, there may never have been a show as relentlessly ridiculed as SPIDER-MAN: TURN OFF THE DARK. At this point, it may be that the only interesting thing that could be said about the show would be if it weren’t as bad as you’d […]
> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]
> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]
> After a hiatus so long that it seemed as though CW had found its own witchcraft to create more repeats of THE SECRET CIRCLE than there’d been original episodes to start, the series finally returned to original episodes. WHERE WE LEFT OFF: The major revelation of the fall finale was that heroine Cassie (Britt […]
> Or if the title were a Jeopardy answer, the question would be: what should writer/director Rodrigo Cortes have paid attention to, before he typed “The End” on his script Red Lights wouldn’t have been a festival movie even if it had been good. It’s no more than high-grade hokum (and not that high), and […]
> On Saturday night, HBO’s GAME CHANGE scored the network’s highest premiere rating for an original TV-movie in 8 years. (As it always the case with HBO, the movie will be rebroadcast many times, as well as being available on HBO GO and other platforms.) While there were certainly A list names associated with the […]