Worth a ticket.   It’s a little mysterious that Michael Connelly’s trim, twisty crime novels have so rarely hit the screen. Perhaps it was the tepid reception received by Blood Work in 2002, unfortunately one of Clint Eastwood’s more dismal films of the last decade. Or just the usual horror stories of movie industry […]

  THE THREE STOOGES:  Watch It At Home – More Nyuks Than You’d Expect   The Farrelly Brothers’ THE THREE STOOGES is better than its marketing campaign let on, and while that would be more impressive if the trailer and ad materials hadn’t been almost unwatchably bad, it still makes for a welcome relief.  The […]

  COMMUNITY:  Thursday 8PM on NBC A few days ago, the NY Times had a fascinating article about Pei-Shen Qian, an artist who is almost but not quite a forger.  He doesn’t duplicate actual paintings of the masters; instead, he paints new works with such precise adherence to their styles that (he claims) unbeknownst to […]

  SUITS:  Wednesday 9PM on USA 7 seasons ago, Aaron Korsh’s SUITS was introduced by USA Network as the story of a young con man with a photographic memory named Mike Ross, hired by flashy New York lawyer Harvey Specter (Gabriel Macht) to be his mentee, sidekick and quasi-little brother.  Along the way, Mike became […]

  THE THEORY OF EVERYTHING (Focus/Universal) – Opens November 7  – Worth A Ticket There’s a benefit but also a burden to being clear-cut “Oscar bait.”  At this point we all know the kinds of movies the Academy looks upon with favor:  serious biographies, period pieces, leading actors who contort themselves in one way or […]

  ENDLESS LOVE:  Not Even For Free – Hopeless Wreck Truly:  why does this new ENDLESS LOVE exist?  Even on the crassest commercial level, it makes very little sense.  The 1981 Franco Zeffirelli/Brooke Shields/Martin Hewitt version is remembered as neither good nor particularly successful (it made only half as much as Shields’ Blue Lagoon had […]

  THE WEDDING BANQUET (Bleecker Street – April 18):  Ang Lee’s 1993 comedy needed to be rethought before it could be remade, since its plot turned on a woman marrying her gay landlord so that she could get a green card and he could placate his parents, since same-sex marriage was illegal.  Since that’s no […]

  Greg Garcia has made a successful niche for himself on network television as poet of the lower-middle-class, small-town, gently surrealist sitcom, first with My Name Is Earl and now with RAISING HOPE.  The only problem with Garcia’s type of show is that the constant requirement for more inventively conceptual, eccentric storylines can lead to […]