And so the curtain drops on the first season of SMASH, which may have set the all-time television speed record for going from shining beacon to punching bag.  Tonight’s season finale, written by now-deposed showrunner and series creator Theresa Rebeck and directed by Michael Morris, wasn’t the worst episode of the series, but it […]

    Even as the scripted drama business on the broadcast networks subsides into increasing irrelevance, new players arise who want to take part.  Dramas may not be cost-effective in the way that they once were, but they’re still an unmatched vehicle for branding–just ask AMC–and Netflix, Amazon and Hulu are among the entities who […]

> Plot spoilers are even more problematic when it comes to limited releases, because by definition they’re only being seen by a few people in certain selected locations, and–if they’re good–will ideally be discovered by audiences over time.  Which is a roundabout way of saying that I strongly recommend, but can reveal almost nothing about, […]

> Disclaimer:  Network pilots now in circulation are not necessarily in the form that will air in the Fall.  Pilots are often reedited and rescored, and in some cases even recast or reshot.  So these critiques shouldn’t be taken as full reviews, but rather as a guide to the general style and content of the […]

> HBO can afford to keep little-watched shows like In Treatment and Treme around, because they’re not selling advertising–they’re selling a brand.  People who will only watch True Blood and Entourage feel better about being subscribers when they know they’ve got access to excellence at other hours too.  TNT, though, needs eyeballs that sponsors will […]

> TIFF’s Midnight Madness program is exactly what you think it is:  10 flat-out, unapologetic genre movies that premiere each night at midnight in front of a raucous crowd at the 1200-seat Ryerson Theatre.  In any given year, the Madness may include unexpected gems like last year’s Insidious and 2006’s Borat, interestingly weird pictures such […]

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may have had their own turnover in the off-season) give plenty of notes, both helpful and otherwise, and […]

> Although nothing is likely to be official until May, the odds are that PAN AM is heading into its final landing.  The series received a short back order from ABC, and will be off the air after February, when Good Christian Bitches (or whatever they’re calling it this week) will take its Sunday 10PM […]