MAJOR CRIMES: Monday 9PM on TNT MAJOR CRIMES returned for its third season tonight with a grim but unremarkable hour. The episode, written by Co-Executive Producer Michael Alaimo and directed by David McWhirter, tipped off its hand very early for anyone raised on cop procedurals: when the wife and mother of a missing family […]
What is it with endings? Why do they rattle the brains of even the greatest of television’s creative minds? Half-endings, too, which is what tonight’s finish to the first half of MAD MEN‘s 7th and final season was, the remaining 7 hours to sit on an AMC shelf until a year from now. (That […]
CHASING LIFE: Tuesday 9PM on ABCFamily Previously… on CHASING LIFE: Very inconveniently, 24-year old aspiring Boston reporter April Carver (Italia Ricci) has just been diagnosed with leukemia. The timing couldn’t be worse, not because she’s afraid for her life–April more or less tosses that concern off–but because she’s just started dating hunky reporter Dominic […]
RUSH: Thursday 9PM on USA – Change the Channel USA Network is aiming for “edgy” with its new Thursday line-up, and so the pilot for RUSH begins with its antihero Will Rush (Tom Ellis) doing coke. The twist? When his lady friend goes into cardiac arrest, Will reveals himself as a brilliant physician who […]
The season finale (if it’s lucky) of TNT’s mediocre MURDER IN THE FIRST was rather sad, pallid proof that the powerhouse writer/producer Steven Bochco has been outstripped by the genre he helped invent, the serialized adult crime drama. Murder In the First tried, sometimes painfully, to be newfangled, throwing in the latest in basic […]
JANE THE VIRGIN: Monday 9PM on CW – If Nothing Else Is On… PLAYERS: Ugly Betty, plus the whole notion of basing US TV shows on Spanish-language series (Red Band Society and The Mysteries of Laura are two more this season), and especially Executive Producer Ben Silverman, who’s was one of those behind Betty […]
For fans of his remarkable Battlestar Galactica reboot, it’s still strange to see series creator Ronald D. Moore switch to Starz’s much more old-fashioned OUTLANDER. (Some of the abruptness of that switch was accidental: Moore was attached to other, more BSG-like shows in the interim, but they weren’t picked up to series.) Nevertheless, on […]
One of the ways that, even at a time overwhelmed with quality TV drama, Cinemax’s THE KNICK has proven itself extraordinary has been in its subversion of the accepted TV template. Conventional wisdom has had it that the auteurs of television are its writer/producers, with the directors as skilled craftspeople devoted to realizing the […]