TAMMY: Not Even For Free – Melissa McCarthy Fumbles Her Industry Clout When a star earns hundreds of millions of dollars for Hollywood, it can show its appreciation by handing over the creative reins to the star (on a modest budget), allowing him or her to realize a “passion project.” That’s where Melissa McCarthy […]
A surprisingly commercial concoction by Sundance standards, Gillian Robespierre’s OBVIOUS CHILD doesn’t feel very much unlike the pilot for a cable dramedy. That’s not meant as any kind of dire criticism; TV could use more smart, funny female voices like Robespierre’s and star Jenny Slate’s (Slate is already featured in a multitude of high-class TV shows, […]
NOTORIOUS: Thursday 9PM on ABC – Change the Channel Any viewer apt to complain about the over-the-top melodrama of Scandal should be forced to watch the pilot for Notorious, a supposed “drama” so consistently idiotic that it’s closer in tone to the self-mocking theatrics of Jane the Virgin. As it happens, Notorious is filling […]
As has been generally reported, this year’s Toronto Film Festival wasn’t a dominant one, lacking the kind of overwhelming favorites that The King’s Speech and Argo have been in recent years. Some potentially major upcoming films chose to screen at other festivals (Birdman at Venice, Gone Girl and Inherent Vice in New York), while […]
Of all the titles in this year’s Sundance US Dramatic Competition line-up, none may have been more promising on paper than GOD’S POCKET. Based on a novel by Pete Dexter, it marked the feature directing debut of the actor John Slattery, whose work behind the camera on Mad Men has produced some of the […]
It’s a cliche to say, when a director of commercials and music videos helms his or her first feature film, that the result resembles a video extended to feature length–and certainly not one that’s always true, as the debuts of, among others, Ridley Scott (The Duellists) and David Fincher (Alien 3) have shown. But cliches […]
> VEEP: Sundays 10PM on HBO – Potential DVR Alert Although of course it made all the sense in the world to precede tonight’s premiere of its new political comedy VEEP with the trailer for its upcoming political comedy-drama, Aaron Sorkin’s The Newsroom, in some ways HBO might have considered thinking twice. Both Sorkin […]
THE ORIGINALS has some recurring problems. For one thing, since its antihero family the Mikaelsons are ageless supernaturals who emigrated to the US over the centuries, their foes–and even the family members who turn up from time to time, sometimes in new bodies–tend to be interchangeable Eurotrash. It took effort this season to remember […]